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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    400 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    250 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "A Fraudulent Murasaki’s Rustic Genji by"6 records

Institutions answered newest-first by record, interleaved

“Butterflies” (Kochō), from the Tale of Genji by Tosa Mitsuyoshi, The Metropolitan Museum of Art

“Butterflies” (Kochō), from the Tale of Genji

Tosa Mitsuyoshi (d. 1613)

late 16th–early 17th century · Six-panel folding screen; ink, color, gold, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Writing Box (Suzuribako) with Woodcutter by Hon'ami Kōetsu, The Metropolitan Museum of Art

Writing Box (Suzuribako) with Woodcutter

Hon'ami Kōetsu (d. 1637)

18th or early 19th century · Gold maki-e on black lacquer with mother-of-pearl inlay

Cleared · Public Domain

live
The MetSimilar
A Fraudulent Murasaki’s Rustic Genji by Ryūtei Tanehiko by Utagawa Kunisada, The Metropolitan Museum of Art

A Fraudulent Murasaki’s Rustic Genji by Ryūtei Tanehiko

Utagawa Kunisada (d. 1864)

1829–42 · Set of nineteen woodblock-printed booklets; ink on paper, color-printed covers

Cleared · Public Domain

live
The MetSimilar
Parody of the Third Princess and Kashiwagi: “Chapter 50: A Hut in the Eastern Provinces” by Utagawa Kunisada, The Metropolitan Museum of Art

Parody of the Third Princess and Kashiwagi: “Chapter 50: A Hut in the Eastern Provinces”

Utagawa Kunisada (d. 1864)

1858, second month · Diptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Weighing the Goods of Love (Enshoku shinasadame) 艶色品定女 by Utagawa Kunimori II 二代歌川国盛画, The Metropolitan Museum of Art

Weighing the Goods of Love (Enshoku shinasadame) 艶色品定女

Utagawa Kunimori II 二代歌川国盛画 (d. 1861)

ca. 1852 · Set of three woodblock-printed books (hanshibon); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Mitsuuji with Mountain Roses (Yamabuki), from the series “Six Jewel Faces” (Mu tama-gao) by Utagawa Kunisada, The Metropolitan Museum of Art

Mitsuuji with Mountain Roses (Yamabuki), from the series “Six Jewel Faces” (Mu tama-gao)

Utagawa Kunisada (d. 1864)

mid- to late 1830s · Uncut fan print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.