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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1051 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    469 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "A Fully Cut Fairy Tale"7 records

Institutions answered newest-first by record, interleaved

Marriage chest (cassone) by an unrecorded maker, The Metropolitan Museum of Art

Marriage chest (cassone)

Unrecorded maker

ca. 1480–95 · Poplar wood; painted and gilded gesso

Cleared · Public Domain

live
The MetSimilar
Writing Box (Suzuribako) with Books by an unrecorded maker, The Metropolitan Museum of Art

Writing Box (Suzuribako) with Books

Unrecorded maker

18th century · Gold, silver togidashimaki-e, hiramaki-e, takamaki-e, cut-out gold foil application

Cleared · Public Domain

live
The MetSimilar
A Fully Cut Fairy Tale by Hans Christian Andersen, The Metropolitan Museum of Art

A Fully Cut Fairy Tale

Hans Christian Andersen (d. 1875)

ca. 1864 · Paper cutout

Cleared · Public Domain

live
The MetSimilar
Two Pierrots Balancing on Swans and Two Dancers by Hans Christian Andersen, The Metropolitan Museum of Art

Two Pierrots Balancing on Swans and Two Dancers

Hans Christian Andersen (d. 1875)

1820–75 · Cutout in blue paper, mounted on an album sheet

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pendant with Saint George and the Dragon

Unrecorded maker

ca. 1890–1910 · Enameled gold set with diamonds

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Icarus, plate VIII from the illustrated book "Jazz"

Henri Matisse (d. 1954)

1947 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jazz

Henri Matisse (d. 1954)

1947 · Pochoir

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.