Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    798 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,008 matching records exist across the two collections.

Results for "A Group of Buildings for a Private Schoo"12 records

Institutions answered newest-first by record, interleaved

Mercurii Templum, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Mercurii Templum, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Palatium Claudie Imperatoris, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Palatium Claudie Imperatoris, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Palatium Valerianu[m], from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Palatium Valerianu[m], from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Palatium Valerianu[m], from a series of prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Palatium Valerianu[m], from a series of prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pinaculu Termar, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Pinaculu Termar, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving [plate has very sharp edges]

Cleared · Public Domain

live
The MetSimilar
A Group of Standing Monks and other Figures by Jan Lievens, The Metropolitan Museum of Art

A Group of Standing Monks and other Figures

Jan Lievens (d. 1674)

1630s–40s · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Farm Buildings beside a Waterway by Jean Honoré Fragonard, The Metropolitan Museum of Art

Farm Buildings beside a Waterway

Jean Honoré Fragonard (d. 1806)

ca. 1765–70 · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Project for a Chinese Pavillion by Michel Barthelemy Hazon, The Metropolitan Museum of Art

Project for a Chinese Pavillion

Michel Barthelemy Hazon (d. 1818)

n.d. · Pen and black and brown ink, with watercolor over a ruled graphite underdrawing on off white laid paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Series of Designs for Shop Fronts, Porticoes, and Entrances to Buildings, Public & Private

John Young (d. 1900)

1843 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Group of Buildings for a Private School, site plan

Henry Anthony Jandl (d. 2004)

1937 · Graphite, pen and black ink, and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

My Own Private Angkor

Simryn Gill (d. 9999)

2007–2009 · Gelatin silver prints

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.