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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    604 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "A Hare, Partridges, and Fruit"12 records

Institutions answered newest-first by record, interleaved

Jar with registers of plant ornament and animals by an unrecorded maker, The Metropolitan Museum of Art

Jar with registers of plant ornament and animals

Unrecorded maker

100–30 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Neck Band from a Tunic by an unrecorded maker, The Metropolitan Museum of Art

Neck Band from a Tunic

Unrecorded maker

5th–8th century · Wool, linen; tapestry weave

Cleared · Public Domain

live
The MetSimilar
Apothecary Jar with Running Hares and a Dog by an unrecorded maker, The Metropolitan Museum of Art

Apothecary Jar with Running Hares and a Dog

Unrecorded maker

12th century · Stonepaste; luster-painted on opaque white glaze

Cleared · Public Domain

live
The MetSimilar
Dish by an unrecorded maker, The Metropolitan Museum of Art

Dish

Unrecorded maker

ca. 1450 · Tin-glazed earthenware

Cleared · Public Domain

live
The MetSimilar
Rest on the Flight into Egypt by Anthony van Dyck, The Metropolitan Museum of Art

Rest on the Flight into Egypt

Anthony van Dyck (d. 1641)

1650–59 · Engraving, second state

Cleared · Public Domain

live
The MetSimilar
A Hare, Partridges, and Fruit by Jan Fyt, The Metropolitan Museum of Art

A Hare, Partridges, and Fruit

Jan Fyt (d. 1661)

1661 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
After the Hunt by Gustave Courbet, The Metropolitan Museum of Art

After the Hunt

Gustave Courbet (d. 1877)

ca. 1859 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Hunters' tales, from 'Hunting sketches,' published in Le Charivari, October 29, 1864 by Honoré Daumier, The Metropolitan Museum of Art

Hunters' tales, from 'Hunting sketches,' published in Le Charivari, October 29, 1864

Honoré Daumier (d. 1879)

October 29, 1864 · Lithograph on newsprint; third state of three (Delteil)

Cleared · Public Domain

live
The MetSimilar
Triumph of Bacchus by Luigi Frullini, The Metropolitan Museum of Art

Triumph of Bacchus

Luigi Frullini (d. 1897)

ca. 1890 · Walnut

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome

Girard Audran (d. 1703)

1668 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bookplate for St. John Hutchinson

Dora Carrington (d. 1932)

1918 · Woodcut

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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