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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    277 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    330 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 661 matching records exist across the two collections.

Results for "A Heroine and Her Lover in a Pavilion: P"10 records

Institutions answered newest-first by record, interleaved

Tomb Panel with Relief of Figures in a Pavilion by an unrecorded maker, The Metropolitan Museum of Art

Tomb Panel with Relief of Figures in a Pavilion

Unrecorded maker

early 2nd century · Limestone

Cleared · Public Domain

live
The MetSimilar
Madhumadhavai Ragini:  Page from a Dispersed Ragamala Series (Garland of Musical Modes) by an unrecorded maker, The Metropolitan Museum of Art

Madhumadhavai Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes)

Unrecorded maker

ca. 1640–50 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda by an unrecorded maker, The Metropolitan Museum of Art

A Heroine and Her Lover in a Pavilion: Page from a Dispersed Nayikabheda

Unrecorded maker

ca. 1660–80 · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
A Courtesan and Her Lover Estranged by a Quarrel:  Page from a Rasamanjari series by Devidasa of Nurpur, The Metropolitan Museum of Art

A Courtesan and Her Lover Estranged by a Quarrel: Page from a Rasamanjari series

Devidasa of Nurpur (d. 1730)

dated 1694–95 · Opaque watercolor, ink, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Abhisarika Nayika, a Heroine Longing for Her Lover by an unrecorded maker, The Metropolitan Museum of Art

Abhisarika Nayika, a Heroine Longing for Her Lover

Unrecorded maker

ca. 1790–1800 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Abhisarika Nayika (Heroine Braving the Night) by an unrecorded maker, The Metropolitan Museum of Art

Abhisarika Nayika (Heroine Braving the Night)

Unrecorded maker

ca. 1800 · Ink, wash ,and translucent watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Parting of Lovers: Courtesan and Her Lover by Kitagawa Utamaro, The Metropolitan Museum of Art

Parting of Lovers: Courtesan and Her Lover

Kitagawa Utamaro (d. 1806)

ca. 1800 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 17g: A woman holding a jug in her right hand, pouring liquid into a ewer

Master F. P. (d. 1600)

1527–50 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mabel Love (in oval) from Actresses (N264) issued by P. Lorillard Company to promote Sensation Cut Plug Tobacco

P. Lorillard Company (d. 2014)

1880s · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Embroidered coverlet

A. P. Lalkers (d. 9999)

1898 · Linen and cotton embroidered with silk

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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