
Female Nude Seen from Behind
Albrecht Dürer (d. 1528)
early 17th century · Honestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1177 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,427 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Female Nude Seen from Behind
Albrecht Dürer (d. 1528)
early 17th century · Honestone
Cleared · Public Domain
live
A wild-haired, robed woman rushing to the right, seen from behind
Cornelis Saftleven (d. 1681)
1631 · Black chalk, with touches of oiled black chalk
Cleared · Public Domain
live
A Walking Musketeer, seen from behind
Anthonie Palamedesz. (d. 1673)
17th century · Black chalk, brush and brown ink, brown wash, some spots of blue watercolor along the edges; framing lines in pen and brown ink
Cleared · Public Domain
live
Lunging Soldier Seen from Behind
Matthias Pfenninger (d. 1813)
1764 · Etching
Cleared · Public Domain
live
Soldier Wielding a Weapon, Seen from Behind
Matthias Pfenninger (d. 1813)
1764 · Etching
Cleared · Public Domain
live
Dancing Man, Holding a Violin, Seen from Behind
Philippe Jacques de Loutherbourg (d. 1812)
1755–71 · Etching
Cleared · Public Domain
live
Standing Soldier Seen from Behind
Philippe Jacques de Loutherbourg (d. 1812)
1755–71 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman and a Young Girl, the latter seen from behind
Francesco Bartolozzi (d. 1815)
1792–98 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male Nude, Seen from Behind
Hippolyte Flandrin (d. 1864)
ca. 1829–46 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Madison, the Capital of Wisconsin: Taken from the Water Cure, South Side of Lake Menona
Samuel Hunter Donnel (d. 1861)
1855 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase
Dard Hunter (d. 1966)
ca. 1906 · Earthenware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Hunter Seen from Behind, from the Jigsaw Puzzle Pictures series (T76) issued by Turkish Trophies Cigarettes
Turkish Trophies Cigarettes (d. 1950)
1909–11 · Commercial color lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.