
Nude female figure
Unrecorded maker
ca. 8th–7th century BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
221 ms. The Metropolitan Museum of Art, Collection API (Open Access)
344 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,833 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nude female figure
Unrecorded maker
ca. 8th–7th century BCE · Ceramic
Cleared · Public Domain
live
The Twelve Sons of Jacob
Jacob de Gheyn II (d. 1629)
c. 1589 · Print, Set of 10 engravings
Cleared · CC0
live
Rapier of Prince-Elector Christian II of Saxony (1583–1611)
Israel Schuech (d. 1635)
dated 1606 · Steel, bronze, gold, enamel, paste jewels, cameos, pearls, wood
Cleared · Public Domain
live
A King of Judah and Israel
Martin Fréminet (d. 1619)
n.d. · Pen and brown ink, black chalk with heightening in white
Cleared · Public Domain
live
A man reaches toward a fallen column, a seated man beside him, trees and ruins beyond, frontispiece from "Views of Italy" (Vues d'Italie)
Israel Silvestre (d. 1691)
1645 · Etching
Cleared · Public Domain
live
View of the façade of the Hôtel de Ville, Paris, in the foreground a cross on a stepped platform and a freestanding domed building
Israel Silvestre (d. 1691)
ca. 1636–91 · Etching
Cleared · Public Domain
live
Passover seder plate
Israel Lattes (d. 1899)
1824 · Silver: embossed and engraved
Cleared · Public Domain
live
Hezekiah, King of Judah
Hippolyte Flandrin (d. 1864)
1856–63 · Oil over pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Judah and Tamar
Wenceslaus Hollar (d. 1677)
1640 · Etching, only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Left hand sheet of a view of the Campo Vaccino in Rome
Israel Silvestre (d. 1691)
ca. 1650–90 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Right hand sheet of a view of the Campo Vaccino in Rome
Israel Silvestre (d. 1691)
ca. 1650–90 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Campo Viccino and part of Rome
Israel Silvestre (d. 1691)
ca. 1640–91 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.