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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    221 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    344 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,833 matching records exist across the two collections.

Results for "A King of Judah and Israel"12 records

Institutions answered newest-first by record, interleaved

Nude female figure by an unrecorded maker, The Metropolitan Museum of Art

Nude female figure

Unrecorded maker

ca. 8th–7th century BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
The Twelve Sons of Jacob by Jacob de Gheyn II, The Cleveland Museum of Art

The Twelve Sons of Jacob

Jacob de Gheyn II (d. 1629)

c. 1589 · Print, Set of 10 engravings

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rapier of Prince-Elector Christian II of Saxony (1583–1611) by Israel Schuech, The Metropolitan Museum of Art

Rapier of Prince-Elector Christian II of Saxony (1583–1611)

Israel Schuech (d. 1635)

dated 1606 · Steel, bronze, gold, enamel, paste jewels, cameos, pearls, wood

Cleared · Public Domain

live
The MetSimilar
A King of Judah and Israel by Martin Fréminet, The Metropolitan Museum of Art

A King of Judah and Israel

Martin Fréminet (d. 1619)

n.d. · Pen and brown ink, black chalk with heightening in white

Cleared · Public Domain

live
The MetSimilar
A man reaches toward a fallen column, a seated man beside him, trees and ruins beyond, frontispiece from "Views of Italy" (Vues d'Italie) by Israel Silvestre, The Metropolitan Museum of Art

A man reaches toward a fallen column, a seated man beside him, trees and ruins beyond, frontispiece from "Views of Italy" (Vues d'Italie)

Israel Silvestre (d. 1691)

1645 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the façade of the Hôtel de Ville, Paris, in the foreground a cross on a stepped platform and a freestanding domed building by Israel Silvestre, The Metropolitan Museum of Art

View of the façade of the Hôtel de Ville, Paris, in the foreground a cross on a stepped platform and a freestanding domed building

Israel Silvestre (d. 1691)

ca. 1636–91 · Etching

Cleared · Public Domain

live
The MetSimilar
Passover seder plate by Israel Lattes, The Metropolitan Museum of Art

Passover seder plate

Israel Lattes (d. 1899)

1824 · Silver: embossed and engraved

Cleared · Public Domain

live
The MetSimilar
Hezekiah, King of Judah by Hippolyte Flandrin, The Metropolitan Museum of Art

Hezekiah, King of Judah

Hippolyte Flandrin (d. 1864)

1856–63 · Oil over pen and brown ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Judah and Tamar

Wenceslaus Hollar (d. 1677)

1640 · Etching, only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Left hand sheet of a view of the Campo Vaccino in Rome

Israel Silvestre (d. 1691)

ca. 1650–90 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Right hand sheet of a view of the Campo Vaccino in Rome

Israel Silvestre (d. 1691)

ca. 1650–90 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Campo Viccino and part of Rome

Israel Silvestre (d. 1691)

ca. 1640–91 · Etching

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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