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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1043 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    290 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 299 matching records exist across the two collections.

Results for "A Kneeling Figure Pours Liquid Over the"12 records

Institutions answered newest-first by record, interleaved

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso) by Anonymous, Italian, Florentine, 16th century, The Metropolitan Museum of Art

Study of a Kneeling Figure (recto); Design for a Festival Chariot (verso)

Anonymous, Italian, Florentine, 16th century (d. 1600)

1530–40 · Red chalk, over a faint study of a hand in black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Kneeling Figure by an unrecorded maker, The Metropolitan Museum of Art

Kneeling Figure

Unrecorded maker

15th–16th century · Glazed stoneware (Si Satchanalai kilns)

Cleared · Public Domain

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The MetSimilar
Religion Kneeling before a Monstrance, Attended by Putti by Cigoli (Ludovico Cardi), The Metropolitan Museum of Art

Religion Kneeling before a Monstrance, Attended by Putti

Cigoli (Ludovico Cardi) (d. 1613)

1559–1613 · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso) by Cigoli (Ludovico Cardi), The Metropolitan Museum of Art

Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso)

Cigoli (Ludovico Cardi) (d. 1613)

1607–13 · Point of brush and blue wash, heightened with white, over black chalk, on blue paper

Cleared · Public Domain

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The MetSimilar
Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso) by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Youth Kneeling before a Prelate (recto); Another Study of a Youth Kneeling before a Prelate (verso)

Guercino (Giovanni Francesco Barbieri) (d. 1666)

ca. 1620 · Pen and brown ink, brush and light brown wash (recto and verso)

Cleared · Public Domain

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The MetSimilar
Studies of a kneeling man (recto); Study of a standing man at right, and small scene of a kneeling figure in an interior, probably the Virgin in the Annunciation (verso) by Francesco Maffei, The Metropolitan Museum of Art

Studies of a kneeling man (recto); Study of a standing man at right, and small scene of a kneeling figure in an interior, probably the Virgin in the Annunciation (verso)

Francesco Maffei (d. 1660)

ca. 1650 · Pen and brown ink and wash over black chalk (recto and verso)

Cleared · Public Domain

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The MetSimilar
The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso) by Micco Spadaro (Domenico Gargiulo), The Metropolitan Museum of Art

The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso)

Micco Spadaro (Domenico Gargiulo) (d. 1675)

1612–75 · Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
The Rape of Helena; verso: Study of a Kneeling Nude Male Figure by Daniel Seiter, The Metropolitan Museum of Art

The Rape of Helena; verso: Study of a Kneeling Nude Male Figure

Daniel Seiter (d. 1705)

late 17th–18th century · Pen and brown ink, heightened with white bodycolour, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, over black chalk

Cleared · Public Domain

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The MetSimilar
Studies for a Kneeling Figure of Christ and Altar Fronts by Giovanni Battista Foggini, The Metropolitan Museum of Art

Studies for a Kneeling Figure of Christ and Altar Fronts

Giovanni Battista Foggini (d. 1725)

1652–1725 · Pen and brown ink, brush and gray wash over traces of black chalk; the secondary paper support is outlined with brush and pink wash on the verso

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Kneeling Figure Pours Liquid Over the Head of Janus (Caricature with Magic Symbols): Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I

James Basire, the elder (d. 1802)

1792–98 · Etching, printed in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kneeling female figure with three children

Tellem or Dogon blacksmith

15th–19th century · Wood, applied organic materials

In copyright

live
The MetSimilar

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