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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    621 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 213 matching records exist across the two collections.

Results for "A La Mode 1822"12 records

Institutions answered newest-first by record, interleaved

Marriage A-la-Mode, Plate I by Gérard Jean-Baptiste Scotin, The Metropolitan Museum of Art

Marriage A-la-Mode, Plate I

Gérard Jean-Baptiste Scotin (d. 1755)

April 1, 1745 · Etching and engraving; fourth state of five

Cleared · Public Domain

live
The MetSimilar
Marriage A-la-Mode, Plate II by Bernard Baron, The Metropolitan Museum of Art

Marriage A-la-Mode, Plate II

Bernard Baron (d. 1762)

April 1, 1745 · Etching and engraving; second state of four

Cleared · Public Domain

live
The MetSimilar
Marriage A-la-Mode, Plate IV by Simon Francis Ravenet, the elder, The Metropolitan Museum of Art

Marriage A-la-Mode, Plate IV

Simon Francis Ravenet, the elder (d. 1774)

April 1, 1745 · Etching and engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
Marriage A-la-Mode, Plate V by Simon Francis Ravenet, the elder, The Metropolitan Museum of Art

Marriage A-la-Mode, Plate V

Simon Francis Ravenet, the elder (d. 1774)

April 1745 · Etching and engraving; fourth state of four

Cleared · Public Domain

live
The MetSimilar
Marriage A-la-Mode, Plate VI by Gérard Jean-Baptiste Scotin, The Metropolitan Museum of Art

Marriage A-la-Mode, Plate VI

Gérard Jean-Baptiste Scotin (d. 1755)

April 1, 1745 · Etching and engraving; second state of three

Cleared · Public Domain

live
The MetSimilar
Beef à la Mode by Thomas Rowlandson, The Metropolitan Museum of Art

Beef à la Mode

Thomas Rowlandson (d. 1827)

February 14, 1800 · Etching

Cleared · Public Domain

live
The MetSimilar
Beef à la Mode by Thomas Rowlandson, The Metropolitan Museum of Art

Beef à la Mode

Thomas Rowlandson (d. 1827)

February 14, 1800 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
1812 or Regency à la Mode by William Heath ('Paul Pry'), The Metropolitan Museum of Art

1812 or Regency à la Mode

William Heath ('Paul Pry') (d. 1840)

1812 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figures à la Mode -- titlepage

Romeyn de Hooghe (d. 1708)

n.d. · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nouvelles Cheminées à la Mode

François II de Poilly (d. 1741)

1712 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Jardins Anglo-Chinois à la Mode

Georges Louis Le Rouge (d. 1790)

18th century · plates: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A La Mode 1822

William Heath ('Paul Pry') (d. 1840)

1822 · Hand-colored etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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