
A Brazilian Landscape
Frans Post (d. 1680)
1650 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
369 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 158 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Brazilian Landscape
Frans Post (d. 1680)
1650 · Oil on wood
Cleared · Public Domain
live
Coastal Landscape
Alexander Cozens (d. 1786)
ca. 1770 · Graphite, brush and gray wash; laid down on original paper mount with gray wash
Cleared · Public Domain
live
Vase with scenes of storm at sea
Dihl et Guérhard (d. 1824)
ca. 1797–98 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Vase with scenes of storm on land
Dihl et Guérhard (d. 1824)
ca. 1797–98 · Hard-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Landscape
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1807–10 · Etching, aquatint
Cleared · Public Domain
live
Seascape with an Approaching Storm (from Sketchbook VII)
William Trost Richards (d. 1905)
1886 · Black ink, graphite, on off-white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Pyramus and Thisbe, from a set of four episodes from Ovid's Metamorphoses
David Vinckboons (d. 1629)
1591–1679 · Engraving; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Land-Storm (Landscape with Pyramus and Thisbe)
Jean-Baptiste-Claude Chatelain (d. 1758)
1769 (?) · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Any Port in a Storm
Thomas B. Worth (d. 1917)
1884 · Lithograph, hand-colored with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Storm, Taos Mountain, New Mexico
John Marin (d. 1953)
1930 · Watercolor over charcoal on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Storm Clouds
Arthur Dove (d. 1946)
1935 · Wax emulsion on canvas in artist-made frame
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Winter Landscape
Anselm Kiefer (d. 9999)
1970 · Watercolor, gouache, and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.