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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    260 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 158 matching records exist across the two collections.

Results for "A Land-Storm (Landscape with Pyramus and"12 records

Institutions answered newest-first by record, interleaved

A Brazilian Landscape by Frans Post, The Metropolitan Museum of Art

A Brazilian Landscape

Frans Post (d. 1680)

1650 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Coastal Landscape by Alexander Cozens, The Metropolitan Museum of Art

Coastal Landscape

Alexander Cozens (d. 1786)

ca. 1770 · Graphite, brush and gray wash; laid down on original paper mount with gray wash

Cleared · Public Domain

live
The MetSimilar
Vase with scenes of storm at sea by Dihl et Guérhard, The Metropolitan Museum of Art

Vase with scenes of storm at sea

Dihl et Guérhard (d. 1824)

ca. 1797–98 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Vase with scenes of storm on land by Dihl et Guérhard, The Metropolitan Museum of Art

Vase with scenes of storm on land

Dihl et Guérhard (d. 1824)

ca. 1797–98 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Landscape by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Landscape

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1807–10 · Etching, aquatint

Cleared · Public Domain

live
The MetSimilar
Seascape with an Approaching Storm (from Sketchbook VII) by William Trost Richards, The Metropolitan Museum of Art

Seascape with an Approaching Storm (from Sketchbook VII)

William Trost Richards (d. 1905)

1886 · Black ink, graphite, on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Pyramus and Thisbe, from a set of four episodes from Ovid's Metamorphoses

David Vinckboons (d. 1629)

1591–1679 · Engraving; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Land-Storm (Landscape with Pyramus and Thisbe)

Jean-Baptiste-Claude Chatelain (d. 1758)

1769 (?) · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Any Port in a Storm

Thomas B. Worth (d. 1917)

1884 · Lithograph, hand-colored with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Storm, Taos Mountain, New Mexico

John Marin (d. 1953)

1930 · Watercolor over charcoal on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Storm Clouds

Arthur Dove (d. 1946)

1935 · Wax emulsion on canvas in artist-made frame

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Winter Landscape

Anselm Kiefer (d. 9999)

1970 · Watercolor, gouache, and graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.