
Ostrakon with a Letter from Joseph to—
Unrecorded maker
580–640 · Pottery fragment with ink inscription
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
978 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Ostrakon with a Letter from Joseph to—
Unrecorded maker
580–640 · Pottery fragment with ink inscription
Cleared · Public Domain
live
Francesco I de' Medici, grand duke of Tuscany
Giambologna (d. 1608)
modeled 1585–87, cast ca. 1611 · Bronze
Cleared · Public Domain
live
The Four Seasons of Love
Thomas Rowlandson (d. 1827)
September 15, 1814 · Hand-colored etching
Cleared · Public Domain
live
The Four Seasons of Love
Thomas Rowlandson (d. 1827)
September 15, 1814 · Hand-colored etching
Cleared · Public Domain
live
Plate 27: Robert Macaire, merchant, from 'Caricaturana,' published in Les Robert Macaires
Honoré Daumier (d. 1879)
1838 · Lithograph on wove paper; second state of two (Delteil)
Cleared · Public Domain
live
A Letter to Me and You (Memento Mori)
Anonymous, German, 19th century (d. 1899)
ca. 1860 · Lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Water Meadow
Sir Francis Seymour Haden (d. 1910)
1859 · Etching; first state of two (Harrington); third state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Valentine's Day Card in its Original Envelope
Anonymous, American, 19th century (d. 1900)
1850–99
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Incubus"
Simon Costin (d. 9999)
1987 · a) silver, copper, glass, baroque pearls and human sperm; b) paper, laminate, silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Lobster
Cecily Brown (d. 9999)
2023–24 · Oil on UV-curable pigment on linen
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.