Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    353 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    368 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "A Low Tide Pentaptych"12 records

Institutions answered newest-first by record, interleaved

Shipyard, Greenwich by Thomas Rowlandson, The Metropolitan Museum of Art

Shipyard, Greenwich

Thomas Rowlandson (d. 1827)

before 1791 · Reed pen and brown ink

Cleared · Public Domain

live
The MetSimilar
A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, Pentaptych of color woodblock prints

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Solway Moss (Liber Studiorum, part XI, plate 52) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Solway Moss (Liber Studiorum, part XI, plate 52)

Joseph Mallord William Turner (d. 1851)

January 1, 1816 · Etching and mezzotint; fifth state of five (Finberg)

Cleared · Public Domain

live
The MetSimilar
Fifth Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

Fifth Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print from a pentaptych

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Solway Moss, part XI, plate 52 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Solway Moss, part XI, plate 52 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1816 · Etching and mezzotint; fifth state of five (Finberg)

Cleared · Public Domain

live
The MetSimilar
Second Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

Second Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print from a pentaptych

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Refitting of a Ship at Low Tide by Eugène Isabey, The Metropolitan Museum of Art

Refitting of a Ship at Low Tide

Eugène Isabey (d. 1886)

1833 · Lithograph in black; second state of three

Cleared · Public Domain

live
The MetSimilar
First Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

First Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print from a pentaptych

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Harlech Castle across the Traeth Mawr by John Varley, The Metropolitan Museum of Art

Harlech Castle across the Traeth Mawr

John Varley (d. 1842)

1800–42 · Watercolor with reductive techniques, over graphite

Cleared · Public Domain

live
The MetSimilar
Third Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

Third Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print from a pentaptych

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A town on an estuary at low tide by Edward Duncan, The Metropolitan Museum of Art

A town on an estuary at low tide

Edward Duncan (d. 1882)

1868 · Watercolor with gum arabic, over graphite, heightened with touches of gouache (bodycolor)

Cleared · Public Domain

live
The MetSimilar
Fourth Print from A Low Tide Pentaptych by Utagawa Kuniyoshi, The Cleveland Museum of Art

Fourth Print from A Low Tide Pentaptych

Utagawa Kuniyoshi (d. 1861)

c. 1830 · Print, color woodblock print

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.