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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    259 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    285 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "A Magnificent Pavilion by the Lagoon (re"10 records

Institutions answered newest-first by record, interleaved

Senwosret III as a Sphinx by an unrecorded maker, The Metropolitan Museum of Art

Senwosret III as a Sphinx

Unrecorded maker

ca. 1878–1840 B.C. · Gneiss

Cleared · Public Domain

live
The MetSimilar
Hexagonal Tile Ensemble with Sphinx by an unrecorded maker, The Metropolitan Museum of Art

Hexagonal Tile Ensemble with Sphinx

Unrecorded maker

ca. 1160s–70s · Stonepaste; over- and underglaze-painted, gilded

Cleared · Public Domain

live
The MetSimilar
Emperor Antoninus Pius by Antico (Pier Jacopo Alari Bonacolsi), The Metropolitan Museum of Art

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)

1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle

Cleared · Public Domain

live
The MetSimilar
Francesco I de' Medici, grand duke of Tuscany by Giambologna, The Metropolitan Museum of Art

Francesco I de' Medici, grand duke of Tuscany

Giambologna (d. 1608)

modeled 1585–87, cast ca. 1611 · Bronze

Cleared · Public Domain

live
The MetSimilar
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso) by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso)

Canaletto (Giovanni Antonio Canal) (d. 1768)

ca. 1727–29 · Pen and brown ink, over traces of graphite

Cleared · Public Domain

live
The MetSimilar
Table by Royal Porcelain Manufactory, Berlin, The Metropolitan Museum of Art

Table

Royal Porcelain Manufactory, Berlin (d. 9999)

ca. 1833–34 · Hard-paste porcelain, gilded bronze, and yellow metal; iron and wood as support materials

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Animals Seated under a Chair, Tomb of Anen

Norman de Garis Davies (d. 1941)

ca. 1386–1347 BCE · Tempera on Paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Alphonsus Church, New York, South Fifth Avenue near Canal

Francis G. Himpler (d. 1916)

1872 · Lithograph with tint stone

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.