
Senwosret III as a Sphinx
Unrecorded maker
ca. 1878–1840 B.C. · Gneiss
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
259 ms. The Metropolitan Museum of Art, Collection API (Open Access)
285 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Senwosret III as a Sphinx
Unrecorded maker
ca. 1878–1840 B.C. · Gneiss
Cleared · Public Domain
live
Hexagonal Tile Ensemble with Sphinx
Unrecorded maker
ca. 1160s–70s · Stonepaste; over- and underglaze-painted, gilded
Cleared · Public Domain
live
Emperor Antoninus Pius
Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)
1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle
Cleared · Public Domain
live
Francesco I de' Medici, grand duke of Tuscany
Giambologna (d. 1608)
modeled 1585–87, cast ca. 1611 · Bronze
Cleared · Public Domain
live
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso)
Canaletto (Giovanni Antonio Canal) (d. 1768)
ca. 1727–29 · Pen and brown ink, over traces of graphite
Cleared · Public Domain
live
Table
Royal Porcelain Manufactory, Berlin (d. 9999)
ca. 1833–34 · Hard-paste porcelain, gilded bronze, and yellow metal; iron and wood as support materials
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Animals Seated under a Chair, Tomb of Anen
Norman de Garis Davies (d. 1941)
ca. 1386–1347 BCE · Tempera on Paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)
Leonardo da Vinci (d. 1519)
ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
St. Alphonsus Church, New York, South Fifth Avenue near Canal
Francis G. Himpler (d. 1916)
1872 · Lithograph with tint stone
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.