
Roundel with Scenes of the Attack on the Castle of Love
Unrecorded maker
ca. 1320–40 · Elephant ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
398 ms. The Metropolitan Museum of Art, Collection API (Open Access)
411 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 657 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Roundel with Scenes of the Attack on the Castle of Love
Unrecorded maker
ca. 1320–40 · Elephant ivory
Cleared · Public Domain
live
The Rich Man Transported to Hell, from The Parable of the Rich Man and Lazarus, from "The Parable of the Rich Man and Lazarus"
Heinrich Aldegrever (d. 1561)
1554 · Engraving
Cleared · Public Domain
live
A Man Armed with a Saber Gestures Toward a Fleeing Woman
Léon Davent (d. 1556)
1540–56 · Etching
Cleared · Public Domain
live
Big Fish Eat Little Fish
Pieter van der Heyden (d. 1569)
1557 · Engraving; first state of four
Cleared · Public Domain
live
Ornament design for a thesis, the Strozzi coat of arms at top
Stefano della Bella (d. 1664)
ca. 1660 · Engraving with etching; second state of two
Cleared · Public Domain
live
A Hawker Showing an Animal in a Cage to a Woman and Her Child
School of Rembrandt van Rijn (d. 1669)
mid-17th century · Reed pen and brown ink, pen and gray washes; verso in pen and dark brown ink.
Cleared · Public Domain
live
Slugs in a Saw-Pit
Thomas Rowlandson (d. 1827)
October 28, 1791 · Hand-colored etching
Cleared · Public Domain
live
The First Day of Spring (Risshun), from the series Fashionable Poetic Immortals of the Four Seasons (Fūzoku shiki Kasen)
Suzuki Harunobu (d. 1770)
ca. 1768 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
R. Ackermann's Transparency on the Victory of Waterloo
Thomas Rowlandson (d. 1827)
June 1, 1815 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Literary Debate in the Darktown Club: Settling the Question
Thomas B. Worth (d. 1917)
1884 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"A Clean Sweep"
Thomas B. Worth (d. 1917)
1889 · Lithograph, printed in color, with some hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Darktown Trolley--Clar de Track When de Bell Rings
John Cameron (d. 1896)
1896 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.