
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
246 ms. The Metropolitan Museum of Art, Collection API (Open Access)
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci (d. 1519)
1496 · Pen and brown ink (recto and verso)
Cleared · Public Domain
live
Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso)
Filippino Lippi (d. 1504)
1457/58–1504 · Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso)
Cleared · Public Domain
live
Valance
Unrecorded maker
1580–1610 · Canvas worked with wool and silk thread; tent and satin stitches
Cleared · Public Domain
live
Passage from “A Modern-Day Wen Xuan: Selections of Refined Literature”
Morikawa Kyoriku (Kyoroku) 森川許六 (d. 1715)
after 1705 · Hanging scroll; ink on paper
Cleared · Public Domain
live
A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso)
Honoré Daumier (d. 1879)
ca. 1865 · Watercolor over black chalk, pen and black ink, brush and gray wash, and lithographic crayon (recto); pen and brown ink, brush and black gray wash, and lithographic crayon (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Large Boston Public Garden Sketchbook: A man and two women sitting in the park
Maurice Brazil Prendergast (d. 1924)
1895–97 · Recto: watercolor and pencil, bordered in pencil; Verso: pencil, bordered
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A man holding a flyer, other reading posters on walls, representing the 'People's Manifesto (Manifesto al pueblo), on the verso, letterpress welcoming all the delgates to the first congress of the confederation of Mexican workers
Leopoldo Méndez (d. 1969)
1938 · Lithograph printed in red (recto); letterpress (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Allegory
Bob Thompson (d. 1966)
1960 · Oil on canvas
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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