Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    321 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 410 matching records exist across the two collections.

Results for "A Moroccan family in front of an arch, f"12 records

Institutions answered newest-first by record, interleaved

Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo). by Sangallo family, The Metropolitan Museum of Art

Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).

Sangallo family (d. 1545)

1530–45 · Pen and dark brown ink

Cleared · Public Domain

live
The MetSimilar
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5). by Sangallo family, The Metropolitan Museum of Art

Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).

Sangallo family (d. 1545)

1530–45 · Pen and dark brown ink

Cleared · Public Domain

live
The MetSimilar
The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1) (recto); Fragmentary Writing ("Libro Primo...") (verso) by Sangallo family, The Metropolitan Museum of Art

The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1) (recto); Fragmentary Writing ("Libro Primo...") (verso)

Sangallo family (d. 1545)

1530–45 · Pen and dark brown ink

Cleared · Public Domain

live
The MetSimilar
Dish with landscape seen though an arch by Siro Antonio Africa, The Metropolitan Museum of Art

Dish with landscape seen though an arch

Siro Antonio Africa (d. 1735)

ca. 1700 · Tin-glazed earthenware (maiolica)

Cleared · Public Domain

live
The MetSimilar
Robinson's Arch, Jerusalem by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

Robinson's Arch, Jerusalem

Joseph-Philibert Girault de Prangey (d. 1892)

1844 · Daguerreotype

Cleared · Public Domain

live
The MetSimilar
A Moroccan family in front of an arch, father standing, mother lower left on the ground holding a child by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

A Moroccan family in front of an arch, father standing, mother lower left on the ground holding a child

Mariano Fortuny, 1838–1874 (d. 1874)

1862 · Etching

Cleared · Public Domain

live
The MetSimilar
A Moroccan family in front of an arch, father standing, mother lower left on the ground holding a child by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

A Moroccan family in front of an arch, father standing, mother lower left on the ground holding a child

Mariano Fortuny, 1838–1874 (d. 1874)

1862 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spinner in Front of an Arch, with Two Sheep and a Goat

Francesco Londonio (d. 1783)

ca. 1760–64 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Family Party Takeing an Airing

William Heath ('Paul Pry') (d. 1840)

March 24, 1819 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Menelek

F. Holland Day (d. 1933)

1897 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Morning suit

F. Scholte

1936 · wool

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening suit

F. Scholte

1938–65 · wool, silk

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.