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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    234 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    273 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "A Morrocan farrier at left accompanied b"12 records

Institutions answered newest-first by record, interleaved

Cuneiform tablet: Utukku lemnutu, tablet 12 by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: Utukku lemnutu, tablet 12

Unrecorded maker

ca. late 1st millennium BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform tablet: Utukku lemnutu, tablet 12 by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: Utukku lemnutu, tablet 12

Unrecorded maker

ca. late 1st millennium BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform tablet: Utukku lemnutu, tablet 12 by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet: Utukku lemnutu, tablet 12

Unrecorded maker

ca. late 1st millennium BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Study for "The Sultan of Morocco and His Entourage" by Eugène Delacroix, The Metropolitan Museum of Art

Study for "The Sultan of Morocco and His Entourage"

Eugène Delacroix (d. 1863)

1832–33 · Brush and brown ink

Cleared · Public Domain

live
The MetSimilar
Major General Charles Lee by Alexander Hay Ritchie, The Metropolitan Museum of Art

Major General Charles Lee

Alexander Hay Ritchie (d. 1895)

1860 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Emancipated Slaves Brought from Louisiana by Colonel George H. Hanks by Myron H. Kimball, The Metropolitan Museum of Art

Emancipated Slaves Brought from Louisiana by Colonel George H. Hanks

Myron H. Kimball (d. 9999)

December 1863 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule

Mariano Fortuny, 1838–1874 (d. 1874)

ca. 1860–70 · Etching and aquatint on Japan paper

Cleared · Public Domain

live
The MetSimilar
A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule by Mariano Fortuny, 1838–1874, The Metropolitan Museum of Art

A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule

Mariano Fortuny, 1838–1874 (d. 1874)

ca. 1860–70 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
Bay of Naples–A Land of Smouldering Fire by Alfred William Hunt, The Metropolitan Museum of Art

Bay of Naples–A Land of Smouldering Fire

Alfred William Hunt (d. 1896)

1871 · Watercolor with touches of gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of San Francisco, California, taken from Telegraph Hill, April 1850, by William B. McMurtrie, draughtsman of the U.S. Surveying Expedition

Frances Flora Bond Palmer (d. 1876)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Surprise Party: Parson, "Ah! Habn't I done tole yer not to covert yer neighbor's fowl?"

Thomas B. Worth (d. 1917)

1883 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.