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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    324 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    354 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,863 matching records exist across the two collections.

Results for "A New Treatise on Flower Painting"11 records

Institutions answered newest-first by record, interleaved

Botanical Painting: Composite Flower by an unrecorded maker, The Metropolitan Museum of Art

Botanical Painting: Composite Flower

Unrecorded maker

ca. 1630 · Opaque color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Flower Study

Helena de Kay (d. 1916)

date not published · Oil on wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A New Treatise on Flower Painting

Anonymous, British, 18th–19th century (d. 1900)

1797 · Illustrations: etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Practical Treatise on Drawing, and on Painting in Water Colours

Giles Firman Phillips (d. 1867)

1839 · Illustrations: aquatint, etching, some hand-coloring

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Treatise on Cutting Garments to Fit the Human Form

George Endicott, New York (d. 1848)

1841 · Illustrations: lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Treatise on Carriage, Sign, and Ornamental Painting

Orson Campbell (d. 1900)

1841 · Commercial printing process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Practical Treatise on Grass and Forage Plants

Charles L. Flint (d. 1889)

1857 · Illustrations: engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Treatise on Designing and Weaving

Amos A. Baldwin (d. 1878)

1878 · Illustrations: lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Flower study

Helena de Kay (d. 1916)

1870s · Oil on wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Painting of an exotic flower

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Oil on canvas mounted on board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Small Flower Painting V

Joe Brainard (d. 1994)

1968 · Cut and torn pasted papers and printed papers, fabric, pen and black ink, colored inks and markers on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.