
Yarmouth, Norfolk
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof, touched with white chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
248 ms. The Metropolitan Museum of Art, Collection API (Open Access)
346 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,076 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Yarmouth, Norfolk
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof, touched with white chalk
Cleared · Public Domain
live
Yarmouth, Norfolk
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof
Cleared · Public Domain
live
Yarmouth, Norfolk
David Lucas (d. 1881)
1830 · Mezzotint on chine collé; progress proof touched with ink and white chalk
Cleared · Public Domain
live
Yarmouth, Norfolk
David Lucas (d. 1881)
1832 · Mezzotint on chine collé; lettered proof, third state of six
Cleared · Public Domain
live
Yarmouth, Norfolk
David Lucas (d. 1881)
1832 · Mezzotint on chine collé; lettered proof, second state of six
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Composition, from "Norfolk Picturesque Scenery"
John Crome (d. 1821)
1812–34 · Etching on chine collé; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Norfolk Plough
John Sell Cotman (d. 1842)
1838 · Soft-ground etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Colts on a Norfolk Marsh
Peter Henry Emerson (d. 1936)
1880s, printed 1887 · Photogravure
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Norfolk Village
James McBey (d. 1959)
1915 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting from a Ceremonial House Ceiling
Yagari, Seseriman village
1973 · Sago palm petiole, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting from a Ceremonial House Ceiling
Yagari, Seseriman village
1973 · Sago palm spathe, paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Painting from a Ceremonial House Ceiling
Yagari, Seseriman village
1973 · Sago palm spathe, paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.