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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    248 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,076 matching records exist across the two collections.

Results for "A Norfolk Village"12 records

Institutions answered newest-first by record, interleaved

Yarmouth, Norfolk by David Lucas, The Metropolitan Museum of Art

Yarmouth, Norfolk

David Lucas (d. 1881)

1830 · Mezzotint on chine collé; progress proof, touched with white chalk

Cleared · Public Domain

live
The MetSimilar
Yarmouth, Norfolk by David Lucas, The Metropolitan Museum of Art

Yarmouth, Norfolk

David Lucas (d. 1881)

1830 · Mezzotint on chine collé; progress proof

Cleared · Public Domain

live
The MetSimilar
Yarmouth, Norfolk by David Lucas, The Metropolitan Museum of Art

Yarmouth, Norfolk

David Lucas (d. 1881)

1830 · Mezzotint on chine collé; progress proof touched with ink and white chalk

Cleared · Public Domain

live
The MetSimilar
Yarmouth, Norfolk by David Lucas, The Metropolitan Museum of Art

Yarmouth, Norfolk

David Lucas (d. 1881)

1832 · Mezzotint on chine collé; lettered proof, third state of six

Cleared · Public Domain

live
The MetSimilar
Yarmouth, Norfolk by David Lucas, The Metropolitan Museum of Art

Yarmouth, Norfolk

David Lucas (d. 1881)

1832 · Mezzotint on chine collé; lettered proof, second state of six

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Composition, from "Norfolk Picturesque Scenery"

John Crome (d. 1821)

1812–34 · Etching on chine collé; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Norfolk Plough

John Sell Cotman (d. 1842)

1838 · Soft-ground etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Colts on a Norfolk Marsh

Peter Henry Emerson (d. 1936)

1880s, printed 1887 · Photogravure

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Norfolk Village

James McBey (d. 1959)

1915 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Painting from a Ceremonial House Ceiling

Yagari, Seseriman village

1973 · Sago palm petiole, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Painting from a Ceremonial House Ceiling

Yagari, Seseriman village

1973 · Sago palm spathe, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Painting from a Ceremonial House Ceiling

Yagari, Seseriman village

1973 · Sago palm spathe, paint

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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