
Flayed man seen from behind, holding a rope
Giulio Bonasone (d. 1576)
ca. 1531–76 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
387 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,132 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Flayed man seen from behind, holding a rope
Giulio Bonasone (d. 1576)
ca. 1531–76 · Engraving
Cleared · Public Domain
live
Female Nude Seen from Behind
Albrecht Dürer (d. 1528)
early 17th century · Honestone
Cleared · Public Domain
live
Standing Youth Seen from Behind Holding a Bowl (Ganymede?)
Guercino (Giovanni Francesco Barbieri) (d. 1666)
ca. 1635–45 · Red chalk
Cleared · Public Domain
live
Caricature of a Man Holding a Tricorne, Seen from Behind
Giovanni Battista Tiepolo (d. 1770)
1760 (?) · Pen and black ink, gray wash
Cleared · Public Domain
live
Dancing Man, Holding a Violin, Seen from Behind
Philippe Jacques de Loutherbourg (d. 1812)
1755–71 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A warrior seen from behind holding a war hammer, from "Figurine"
Salvator Rosa (d. 1673)
ca. 1656–57 · Etching and drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A nude youth seen from behind holding a ewer and cup
Giovanni Antonio Faldoni (d. 1770)
1724 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Nude Youth Seen from Behind, Holding a Cup and a Ewer, from Diversarum Iconum...
Giovanni Antonio Faldoni (d. 1770)
1724 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A nude youth seen from behind holding a glowing plate
Giovanni Antonio Faldoni (d. 1770)
1726 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Nude Youth Seen from Behind, Holding a Glowing Plate with a Nymph at His Feet, from Diversarum Iconum...
Giovanni Antonio Faldoni (d. 1770)
1726 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male Nude, Seen from Behind
Hippolyte Flandrin (d. 1864)
ca. 1829–46 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adam and Eve
Frank Eugene (d. 1936)
1900s, printed 1909 · Photogravure
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.