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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    210 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 134 matching records exist across the two collections.

Results for "A Pantheon, plan and elevation, prelimin"11 records

Institutions answered newest-first by record, interleaved

Plan and Elevation for a Fountain by Anonymous, French, 16th century, The Metropolitan Museum of Art

Plan and Elevation for a Fountain

Anonymous, French, 16th century (d. 1600)

16th century · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Plan and Elevation for a Fountain by Anonymous, French, 16th century, The Metropolitan Museum of Art

Plan and Elevation for a Fountain

Anonymous, French, 16th century (d. 1600)

16th century · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Plan, Section and Exterior Elevation of a Villa by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Plan, Section and Exterior Elevation of a Villa

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and light brown wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Plan and elevation of a rococo arch by Anonymous, German, The Metropolitan Museum of Art

Plan and elevation of a rococo arch

Anonymous, German (d. 2050)

1710–30 · Pen and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
Elevation and Plan for a Round Mausoleum by Jean Charles Delafosse, The Metropolitan Museum of Art

Elevation and Plan for a Round Mausoleum

Jean Charles Delafosse (d. 1789)

1789 · Pen and black ink with brush and gray and brown wash over graphite underdrawing.

Cleared · Public Domain

live
The MetSimilar
Design for a Doric Porch, Plan and Elevation by Robert Adam, The Metropolitan Museum of Art

Design for a Doric Porch, Plan and Elevation

Robert Adam (d. 1792)

second half 18th century · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
Elevation and Ground Plan for a Papal Throne by Antonio Basoli, The Metropolitan Museum of Art

Elevation and Ground Plan for a Papal Throne

Antonio Basoli (d. 1843)

1841 · Pen and brown ink, brush and gray wash, over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple of Bellona, Elevation and Plan, at Kew

Sir William Chambers (d. 1796)

1763 · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a "Moresco" Villa (elevation and plan)

Alexander Jackson Davis (d. 1892)

1835–92 · Graphite, ink and watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Pantheon, plan and elevation, preliminary sketch

Carl Frederic Gunther (d. 1999)

1931 · Graphite, crayon, and pen and black ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elevation and Plan for a House

Josef Hoffmann (d. 1956)

late 19th–early 20th century · Pen and black ink, pencil, on graph paper.

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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