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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    197 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    380 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 7,346 matching records exist across the two collections.

Results for "A Pastoral Scene"12 records

Institutions answered newest-first by record, interleaved

Pastoral Scene by Giovanni Francesco Grimaldi, The Metropolitan Museum of Art

Pastoral Scene

Giovanni Francesco Grimaldi (d. 1680)

1626–80 · Brown pen and ink

Cleared · Public Domain

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The MetSimilar
Pastoral Scene with Classical Figures by Claude Lorrain, The Cleveland Museum of Art

Pastoral Scene with Classical Figures

Claude Lorrain (d. 1682)

c. 1640–45 · Drawing, pen and brown ink and brush and brown and gray wash over graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar
Embroidered picture of pastoral scene by an unrecorded maker, The Metropolitan Museum of Art

Embroidered picture of pastoral scene

Unrecorded maker

ca. 1725 · Wool and silk on canvas

Cleared · Public Domain

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The MetSimilar
A Pastoral Scene by an unrecorded maker, The Cleveland Museum of Art

A Pastoral Scene

Unrecorded maker

1271–1368(?) · Painting, Album leaf; ink and color on silk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Watch Painted with a Pastoral Scene by an unrecorded maker, The Metropolitan Museum of Art

Watch Painted with a Pastoral Scene

Unrecorded maker

ca. 1758–65 · Outer case of painted enamel on gold. Inner case of gold with an unidentified maker’s mark consisting of the letters ic over b below a coronet (incuse) on the interior and an eagle’s head, a French guarantee mark for gold in use between 1 January 1847 and 1 July 1919 on the pendant. Dial of gold and white enamel with black numerals; silver hands set with diamond chips. Movement of gilt brass and steel. Movement signed (on the back plate): Tomson/london.

Cleared · Public Domain

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The MetSimilar
The Departure of Jacob by François Boucher, The Cleveland Museum of Art

The Departure of Jacob

François Boucher (d. 1770)

c. 1755 · Drawing, Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pastoral Scene by Paolo Anesi, The Metropolitan Museum of Art

Pastoral Scene

Paolo Anesi (d. 1774)

1774 · Etching

Cleared · Public Domain

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The MetSimilar
Vintage Scene by Le Nain, The Cleveland Museum of Art

Vintage Scene

Le Nain

1650s · Painting, oil on canvas

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pastoral Riverside Scene by Thomas Rowlandson, The Metropolitan Museum of Art

Pastoral Riverside Scene

Thomas Rowlandson (d. 1827)

1789 · Etching, printed in brown ink

Cleared · Public Domain

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The MetSimilar
Invocation to Love by Jean-Honoré Fragonard, The Cleveland Museum of Art

Invocation to Love

Jean-Honoré Fragonard (d. 1806)

c. 1781 · Drawing, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Study for a Pastoral Scene by Jean-Baptiste Huet I, The Metropolitan Museum of Art

Study for a Pastoral Scene

Jean-Baptiste Huet I (d. 1811)

n.d. · Black chalk with slight traces of graphite underdrawing

Cleared · Public Domain

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The MetSimilar
A Herdsman with Three Cows by an Upland Pool by Thomas Gainsborough, The Cleveland Museum of Art

A Herdsman with Three Cows by an Upland Pool

Thomas Gainsborough (d. 1788)

mid-1780s · Drawing, watercolor, ink and oil paint heightened with white chalk ("Bristol lead white")

Cleared · CC0

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Cleveland Museum of ArtSimilar

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