
Human-headed winged bull (lamassu)
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
292 ms. The Metropolitan Museum of Art, Collection API (Open Access)
248 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Human-headed winged bull (lamassu)
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
live
Human-headed winged lion (lamassu)
Unrecorded maker
ca. 883–859 BCE · Gypsum alabaster
Cleared · Public Domain
live
Standing ballplayer
Ameca-Etzatlán artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
live
Male Figurine
Unrecorded maker
1400–1533 · Silver
Cleared · Public Domain
live
Carpet
Unrecorded maker
second half 16th century · Silk (warp), cotton (weft), wool (pile); asymmetrically knotted pile
Cleared · Public Domain
live
Beggar in a High Cap, Standing and Leaning on a Stick
Rembrandt (Rembrandt van Rijn) (d. 1669)
ca. 1629 · Etching, New Holl. second state of two
Cleared · Public Domain
live
A Peasant in a High Cap, Standing Leaning on a Stick
Rembrandt (Rembrandt van Rijn) (d. 1669)
1639 · Etching; second state of two
Cleared · Public Domain
live
High Fun for John Bull, or the Republicans Put to their Last Shift
Thomas Rowlandson (d. 1827)
November 12, 1798 · Hand-colored etching and aquatint
Cleared · Public Domain
live
A Forest Edge with Peasants and a Village in the Background; verso: Landscape Sketch
Pieter Barbiers II (d. 1842)
1761–1842 · Black chalk, with brush and brownish-gray wash; framing line in black chalk, by the artist
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
William Biscombe Gardner (d. 1919)
1876–80 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Laket mishiing prestige cap
Kuba artist
19th–early 20th century · Raffia palm fiber, beads, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.