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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    155 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "A Peasant on Horseback seen in Profile F"7 records

Institutions answered newest-first by record, interleaved

Boy on a shell, holding a candlestick by an unrecorded maker, The Metropolitan Museum of Art

Boy on a shell, holding a candlestick

Unrecorded maker

mid-15th century · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
The Head of a Woman in Profile Facing Left by Giovanni Antonio Boltraffio, The Metropolitan Museum of Art

The Head of a Woman in Profile Facing Left

Giovanni Antonio Boltraffio (d. 1516)

1490–1500 · Silverpoint and leadpoint, highlighted with white gouache, on pale blue-gray (indigo) prepared paper. Media tested by the Department of Scientific Research, The Metropolitan Museum of Art, with x-ray fluorescence spectroscopy (XRF) and fiber optics reflectance spectroscopy (FORS); October 1, 2019.

Cleared · Public Domain

live
The MetSimilar
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso) by Michelangelo Buonarroti, The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)

Michelangelo Buonarroti (d. 1564)

ca. 1510–11 · Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)

Cleared · Public Domain

live
The MetSimilar
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso) by Annibale Carracci, The Metropolitan Museum of Art

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci (d. 1609)

1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Parade Shield Depicting the Conversion of Saint Paul by an unrecorded maker, The Metropolitan Museum of Art

Parade Shield Depicting the Conversion of Saint Paul

Unrecorded maker

ca. 1570 · Steel, gold, silver

Cleared · Public Domain

live
The MetSimilar
A Peasant on Horseback seen in Profile Facing Right; Two Studies of the Same Man's Head. by Stefano della Bella, The Metropolitan Museum of Art

A Peasant on Horseback seen in Profile Facing Right; Two Studies of the Same Man's Head.

Stefano della Bella (d. 1664)

1610–64 · Pen and brown ink; traces of sketches in graphite

Cleared · Public Domain

live
The MetSimilar
Crucifix on a Golgotha base by Giuseppe de' Levi, The Metropolitan Museum of Art

Crucifix on a Golgotha base

Giuseppe de' Levi (d. 1614)

ca. 1590–1600 (base), later 17th century (corpus), 19th century (cross) · Corpus: bronze, fire-gilt; cross and base: bronze

Cleared · Public Domain

live
The MetSimilar

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