
The upper portion from a palmiform-shaped fan
Unrecorded maker
ca. 1900–1640 B.C. · Ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
254 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,030 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The upper portion from a palmiform-shaped fan
Unrecorded maker
ca. 1900–1640 B.C. · Ivory
Cleared · Public Domain
live
Upper Portion of a Stela
Unrecorded maker
ca. 1386–1347 BCE · Limestone
Cleared · Public Domain
live
A portion of a censer? in the shape of a hand
Unrecorded maker
30 BCE–364 CE · Bronze or copper alloy
Cleared · Public Domain
live
Portion of a Pilaster with an Acrobat
Unrecorded maker
ca. 1150–70 · Limestone
Cleared · Public Domain
live
Central Portion of a Tabernacle
Unrecorded maker
ca. 1275–1300 · Elephant ivory
Cleared · Public Domain
live
The Garden of Love (left portion)
Peter Paul Rubens (d. 1640)
ca. 1633–35 · Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint
Cleared · Public Domain
live
The Garden of Love (right portion)
Peter Paul Rubens (d. 1640)
ca. 1633–35 · Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk
Cleared · Public Domain
live
Lower portion of a scabbard
Wenceslaus Hollar (d. 1677)
1645 · Etching; only state
Cleared · Public Domain
live
A Portion of the Citywall, Foochow
Lai Afong (d. 1890)
ca. 1869 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battle of the Sea Gods (right portion of a frieze)
Andrea Mantegna (d. 1506)
after 1481 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Minster (Eastern Portion)
William A. Pumphrey (d. 1905)
1853 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Portion of "The Floor of Fame," Grauman's Chinese Theatre, Hollywood, California
Unrecorded maker
1900s–1930s · Photomechanical print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.