Mace head
Unrecorded maker
ca. 4500–2900 BCE · Stone
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
299 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
419 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 368 matching records exist across the two collections.
Results for "A Prehistoric Stone Circle on a Mound, a"12 records
Institutions answered newest-first by record, interleaved
Beads
Unrecorded maker
3rd millennium BCE · Stone
Cleared · Public Domain
liveThe MetSimilar
Rubbing stone
Unrecorded maker
5th–3rd millennium BCE · Stone
Cleared · Public Domain
liveThe MetSimilar
Scraper
Unrecorded maker
5th–3rd millennium BCE · Stone
Cleared · Public Domain
liveThe MetSimilar
Stone vessel fragment
Unrecorded maker
5th–3rd millennium BCE · Alabaster
Cleared · Public Domain
liveThe MetSimilar
Possibly a Palette
Unrecorded maker
probably 8th–12th century · Bitumen; cut
Cleared · Public Domain
liveThe MetSimilar
Fragment of a Plate
Unrecorded maker
8th–13th century · Jet; incised
Cleared · Public Domain
liveThe MetSimilar
A Prehistoric Stone Circle on a Mound, an Extensive Landscape Beyond
Johann Heinrich Wilhelm Tischbein (d. 1829)
mid-18th–early 19th century · Black chalk or graphite; framing lines in black chalk or graphite
Cleared · Public Domain
liveThe MetSimilar
A Prehistoric Stone Circle on a Mound, an Extensive Landscape Beyond
Johann Heinrich Wilhelm Tischbein (d. 1829)
mid-18th–early 19th century · Black chalk or graphite, pen and brown ink, brush and brown wash, and watercolor; framing lines in pen and black ink
Cleared · Public Domain
liveThe MetSimilar
Head fragment from a monolith
Bakor artist
16th–19th century · Basalt
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Earring with Diamonds and a Pink Stone
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled
Henry Moore (d. 1986)
1937 · Hopton Wood stone
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.