Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    266 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    472 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 171 matching records exist across the two collections.

Results for "A Private Turn-Up, in the Drawing Room o"10 records

Institutions answered newest-first by record, interleaved

Bust-Length Study of a Bearded Man with Cap in Three-Quarter View by Jacopo Bassano (Jacopo da Ponte), The Metropolitan Museum of Art

Bust-Length Study of a Bearded Man with Cap in Three-Quarter View

Jacopo Bassano (Jacopo da Ponte) (d. 1592)

1510–92 · Pastel and charcoal on blue paper

Cleared · Public Domain

live
The MetSimilar
Drawing Room at Hatton, Warwickshire by Granddaughters of Dr. Samuel Parr, The Metropolitan Museum of Art

Drawing Room at Hatton, Warwickshire

Granddaughters of Dr. Samuel Parr (d. 1830)

1820–30 · Watercolor

Cleared · Public Domain

live
The MetSimilar
Presentation Drawing of a Dining Room in the English Perpendicular Style, for Knoll (now Lyndhurst), Tarrytown NY by Alexander Jackson Davis, The Metropolitan Museum of Art

Presentation Drawing of a Dining Room in the English Perpendicular Style, for Knoll (now Lyndhurst), Tarrytown NY

Alexander Jackson Davis (d. 1892)

1837 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Private Turn-Up, in the Drawing Room of a Noble Marquis

Henry Thomas Alken (d. 1851)

after 1822 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."

Thomas B. Worth (d. 1917)

1875 · Hand-colored ithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."

Thomas B. Worth (d. 1917)

1875 · Hand-colored ithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Painting Class in a School Room]

Frances Benjamin Johnston (d. 1952)

1899 · Cyanotype from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Private Room of Sir Henry Clinton, No. 1 Broadway, New York, in which André Received his Last Instructions

Anonymous, American, 19th century (d. 1900)

19th century · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Suggestion for, Marble & Mosaic Floor, In Private Room of, Mrs. Genevieve M. Stevenson, Chicago, Illinois, Rosehill Community Mausoleum, Chicago, Illinois"

Louis C. Tiffany (d. 1933)

ca. 1932–33 · Transparent and opaque watercolor, and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Private Gallery

Sheela Gowda (d. 9999)

1998 · Cow dung, lamination sheet, brush and ink, watercolor, metallic paint and graphite on paper, plyboard and wood (2 panels + set of eleven watercolor paintings)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.