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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1027 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,063 matching records exist across the two collections.

Results for "A Reconstruction of the Arch of Titus (a"12 records

Institutions answered newest-first by record, interleaved

The Arch of Titus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Arch of Titus, from "Speculum Romanae Magnificentiae"

Anonymous

ca. 1540–60 · Engraving

Cleared · Public Domain

live
The MetSimilar
Arch of Titus, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

Arch of Titus, from "Speculum Romanae Magnificentiae"

Anonymous

1558 · Engraving and etching

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Domitian (above) and View the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Domitian (above) and View the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray wash over red and black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Gallienus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Gallienus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black and brown ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Septimius Severus by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Septimius Severus

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black ink, brush and gray wash

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and gray wash, red chalk; incised?

Cleared · Public Domain

live
The MetSimilar
Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, brush and gray wash, pen and black ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of Titus, in Rome, Plate 17

Jacques Androuet Du Cerceau (d. 1585)

1549 · Etching and engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of Titus, Rome

Jacques Androuet Du Cerceau (d. 1585)

1549 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Titus, from Antiquitatis aestimator et styli, a set of 9 plates of Roman ruins

Jan (Gerritsz.) van Bronchorst (d. 1665)

ca. 1636–1661 · Etching; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Arch of Titus and the Forum, Rome

French Painter

ca. 1824–35 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Contour of Loss

Titus Kaphar (d. 9999)

2020 · Oil on canvas

In copyright

live
The MetSimilar

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