
Reconstruction of a Foundation Deposit
Unrecorded maker
ca. 1473–1458 BCE · Pottery, wood, leather, reed, stone, bronze or copper alloy, food remains
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
182 ms. The Metropolitan Museum of Art, Collection API (Open Access)
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 364 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Reconstruction of a Foundation Deposit
Unrecorded maker
ca. 1473–1458 BCE · Pottery, wood, leather, reed, stone, bronze or copper alloy, food remains
Cleared · Public Domain
live
Reconstruction of a Cavetto Cornice
Unrecorded maker
ca. 1386–1347 BCE · Faience, modern plaster and gold paint
Cleared · Public Domain
live
A Reconstruction of the Arch of Septimius Severus
Jan Goeree (d. 1731)
before 1704 · Red chalk, pen and black ink, brush and gray wash
Cleared · Public Domain
live
A Reconstruction of the Base of the Column Rostrata
Jan Goeree (d. 1731)
before 1704 · Brush and gray ink and gray wash, pen and black and brown ink, red chalk
Cleared · Public Domain
live
A Reconstruction of the Temple of Fortuna
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink, brush and brown wash, brush and gray ink, over red chalk, traces of black chalk; partly incised?
Cleared · Public Domain
live
A Reconstruction of the Theatre of Pompey
Jan Goeree (d. 1731)
before 1704 · Pen and black ink, brush and brown wash, over traces of red chalk
Cleared · Public Domain
live
A Reconstruction of the Thermae Agrippae (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Red chalk, brush and gray wash, pen and brown ink; upper image squared in black chalk
Cleared · Public Domain
live
A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Red chalk, brush and gray wash, pen and brown ink, over traces of black chalk
Cleared · Public Domain
live
A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Pen and black ink, brush and gray wash, over red chalk
Cleared · Public Domain
live
A Reconstruction of the Thermae of Novitian (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Pen and black ink, brush and brown wash, red chalk, over traces of black chalk
Cleared · Public Domain
live
Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Red chalk, brush and gray wash, pen and black ink, over traces of black chalk
Cleared · Public Domain
live
Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below)
Jan Goeree (d. 1731)
before 1704 · Red chalk, pen and black ink, brush and gray wash, over black chalk
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.