
Horse standing on a meadow in profile to left
Adam von Bartsch (d. 1821)
1796 · Etching; second state of two (Rieger)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
316 ms. The Metropolitan Museum of Art, Collection API (Open Access)
6390 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,220 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Horse standing on a meadow in profile to left
Adam von Bartsch (d. 1821)
1796 · Etching; second state of two (Rieger)
Cleared · Public Domain
live
A River in a Meadow
Théodore Rousseau (d. 1867)
ca. 1840 · Oil on wood
Cleared · Public Domain
live
Pond or Creek in a New Hampshire Meadow (from Sketchbook)
Thomas Hewes Hinckley (d. 1896)
1864 · Graphite on green-tinted paper
Cleared · Public Domain
live
A Meadow Bordered by Trees
Théodore Rousseau (d. 1867)
ca. 1845–60 · Oil on wood
Cleared · Public Domain
live
In the Meadow
Auguste Renoir (d. 1919)
1888–92 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Group of Trees in a Meadow near Neustadt-Dresden
Heinrich Theodor Wehle (d. 1805)
ca. 1795 · Etching, first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Water Meadow
Sir Francis Seymour Haden (d. 1910)
1859 · Etching; first state of two (Harrington); third state of five (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A River in Ireland
Sir Francis Seymour Haden (d. 1910)
1864 · Etching and drypoint; first state of two (Harrington); second state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Meadow in Springtime – The Twin Lambs
Currier & Ives (d. 1907)
1867 · Hand-colored lithograph with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A River in Werrington Park
Sir Francis Seymour Haden (d. 1910)
1868 · Etching; first (final) state (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman playing a lute in the meadow
Hans Thoma (d. 1924)
1893 · Lithograph in black and green-gray ink on vellum paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Meadow
James Preston (d. 1962)
probably after 1935 · Black and some white chalk; borders of image marked off at the corners with a straight edge in black chalk
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.