
The Bathing Pool
Hubert Robert (d. 1808)
1777–79 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2691 ms. The Metropolitan Museum of Art, Collection API (Open Access)
291 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 651 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Bathing Pool
Hubert Robert (d. 1808)
1777–79 · Oil on canvas
Cleared · Public Domain
live
The Custom House at Greenock, Scotland
Robert Salmon (d. 1844)
1828 · Oil on wood
Cleared · Public Domain
live
The Trout Pool
Worthington Whittredge (d. 1910)
1870 · Oil on canvas
Cleared · Public Domain
live
Alpine Pool
John Singer Sargent (d. 1925)
1907 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Likely Place For Salmon
Sir Francis Seymour Haden (d. 1910)
1869 · Etching and drypoint; trial proof c (Harrington); sixth state of eight (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pool Dornie
Sir Francis Seymour Haden (d. 1910)
1874–78 · Etching and drypoint; first state of two (Harrington); fourth state of six (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Salmon River, No. 2
Sir Francis Seymour Haden (d. 1910)
1884 · Etching and mezzotint; first state of two (Harrington); third state of four (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Bustin The Pool"
Thomas B. Worth (d. 1917)
1889 · Lithograph, printed in color
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Salmon Pool on the Spey
Sir Francis Seymour Haden (d. 1910)
1898 · Mezzotint; trial proof (Harrington); second state of two (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Jade Pool
Henry Hobart Nichols (d. 1962)
1927 (?) · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pool Parlor
Jacob Lawrence (d. 2000)
1942 · Watercolor and gouache on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Winter Pool
Robert Rauschenberg (d. 2008)
1959 · Combine painting: oil, paper, fabric, wood, metal, sandpaper, tape, printed paper, printed reproductions, handheld bellows, and found painting, on two canvases, with ladder
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.