
The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
331 ms. The Metropolitan Museum of Art, Collection API (Open Access)
372 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25,208 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Lady Guldeforde (Mary Wotton, Lady Guildford)
Wenceslaus Hollar (d. 1677)
1647 · Etching; second state of two
Cleared · Public Domain
live
Scene in a Farce called The Quaker
Thomas Rowlandson (d. 1827)
December 22, 1783 · Hand-colored etching
Cleared · Public Domain
live
Scene in a Farce called The Quaker
Thomas Rowlandson (d. 1827)
December 22, 1783 · Hand-colored etching
Cleared · Public Domain
live
Scene in a Farce called The Quaker
Thomas Rowlandson (d. 1827)
December 22, 1783 · Etching
Cleared · Public Domain
live
Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5)
James Parker (d. 1805)
first published 1800; reissued 1852 · Etching and engraving
Cleared · Public Domain
live
Loch Katrine Pier, Scene of the Lady of the Lake
William Henry Fox Talbot (d. 1877)
October 1844 · Salted paper print from paper negative
Cleared · Public Domain
live
The Lady of Shalott (from Tennyson's Poems, New York, 1903)
Dante Gabriel Rossetti (d. 1882)
1857–1903 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Scene in the New Farce of the Lady and the Devil
Isaac Robert Cruikshank (d. 1856)
October 24, 1822 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady Elizabeth Eastlake
Hill and Adamson (d. 1848)
1843–1847 · Salted paper print from paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady of Shalott
Alfred Tennyson (d. 1892)
1881 · Illustrations: color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Lady in Black (The Red Shawl)
William Merritt Chase (d. 1916)
1883 · Watercolor on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Lady of Shalott (Tennyson's Poems, New York, 1903)
John Thompson (d. 1866)
1857–1903 · Wood engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.