
A Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia
Jan Goeree (d. 1731)
before 1704 · Pen and black ink, brush and brown and gray wash, red chalk; incised
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
394 ms. The Metropolitan Museum of Art, Collection API (Open Access)
302 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 315 matching records exist across the two collections.
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A Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia
Jan Goeree (d. 1731)
before 1704 · Pen and black ink, brush and brown and gray wash, red chalk; incised
Cleared · Public Domain
live
A Reconstruction of the Colosseum in Cross-Section
Jan Goeree (d. 1731)
before 1704 · Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised
Cleared · Public Domain
live
Ruins on the Right of the Via Appia
Carlo Labruzzi (d. 1817)
ca. 1789 · Watercolor over graphite
Cleared · Public Domain
live
Monks in the Cloister of the Church of Gesù e Maria, Rome
François Marius Granet (d. 1849)
1808 · Oil on canvas
Cleared · Public Domain
live
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)
Christoffer Wilhelm Eckersberg (d. 1853)
ca. 1814–15 · Oil on canvas
Cleared · Public Domain
live
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)
Christoffer Wilhelm Eckersberg (d. 1853)
1814–15 · Graphite, brush and gray wash, framed with graphite and brush and blue watercolor
Cleared · Public Domain
live
Umbrella pines in the Villa Borghese, Rome
William James Müller (d. 1845)
1839 · Watercolor over graphite underdrawing, with stippling, washes and reductive techniques, selectively coated with gum arabic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plan and Section of a Tomb on the Via Tiburtina near the Ponte Lugano, tome 2, tavola 38 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
published 1756–57 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple du Dieu ridicule, a trois milles hors de Rome entre la Voie Latine et la Voie Appia, elevé par les Romains en derision du depart d'Annibal, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Propaganda Fide, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome
Freicenet
1763 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Saint Andrea, from The Most Beautiful Edifices of Modern Rome, or a Collection of the most beautiful views of the main churches, places, plazas, fountains etc, which are in Rome
Dominico Montagu
1763 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Section of the Claudian Aqueduct, Rome
André Giroux (d. 1879)
ca. 1826–29 · Oil on paper, laid down on canvas
In copyright
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2. Read the arithmetic
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