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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    394 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 315 matching records exist across the two collections.

Results for "A Section of the Via Sacra, Rome (The Ch"12 records

Institutions answered newest-first by record, interleaved

A Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of a View of the Obelisk at the Entrance of the Via Flaminia

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and brown and gray wash, red chalk; incised

Cleared · Public Domain

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The MetSimilar
A Reconstruction of the Colosseum in Cross-Section by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Colosseum in Cross-Section

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised

Cleared · Public Domain

live
The MetSimilar
Ruins on the Right of the Via Appia by Carlo Labruzzi, The Metropolitan Museum of Art

Ruins on the Right of the Via Appia

Carlo Labruzzi (d. 1817)

ca. 1789 · Watercolor over graphite

Cleared · Public Domain

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The MetSimilar
Monks in the Cloister of the Church of Gesù e Maria, Rome by François Marius Granet, The Metropolitan Museum of Art

Monks in the Cloister of the Church of Gesù e Maria, Rome

François Marius Granet (d. 1849)

1808 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian) by Christoffer Wilhelm Eckersberg, The Metropolitan Museum of Art

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)

Christoffer Wilhelm Eckersberg (d. 1853)

ca. 1814–15 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian) by Christoffer Wilhelm Eckersberg, The Metropolitan Museum of Art

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)

Christoffer Wilhelm Eckersberg (d. 1853)

1814–15 · Graphite, brush and gray wash, framed with graphite and brush and blue watercolor

Cleared · Public Domain

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The MetSimilar
Umbrella pines in the Villa Borghese, Rome by William James Müller, The Metropolitan Museum of Art

Umbrella pines in the Villa Borghese, Rome

William James Müller (d. 1845)

1839 · Watercolor over graphite underdrawing, with stippling, washes and reductive techniques, selectively coated with gum arabic

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan and Section of a Tomb on the Via Tiburtina near the Ponte Lugano, tome 2, tavola 38 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Temple du Dieu ridicule, a trois milles hors de Rome entre la Voie Latine et la Voie Appia, elevé par les Romains en derision du depart d'Annibal, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Propaganda Fide, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome

Freicenet

1763 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Andrea, from The Most Beautiful Edifices of Modern Rome, or a Collection of the most beautiful views of the main churches, places, plazas, fountains etc, which are in Rome

Dominico Montagu

1763 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Section of the Claudian Aqueduct, Rome

André Giroux (d. 1879)

ca. 1826–29 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

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