Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
301 ms. The Metropolitan Museum of Art, Collection API (Open Access)
412 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 573 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
A Seraph (Cartoon for an Embroidery)
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) (d. 1527)
1466–1524 · Pen and brown ink, brush and rose wash, highlighted with white gouache, over black chalk; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Cleared · Public Domain
live
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) (d. 1527)
1466–1524 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Cleared · Public Domain
live
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1529–30 · Brush and brown wash over black chalk
Cleared · Public Domain
live
Saint John the Evangelist (recto; Cartoon for a Fresco); Saint Mark (verso; Cartoon for a Fresco)
Francesco Salviati (Francesco de' Rossi) (d. 1563)
1548–49 · (Recto and verso) Charcoal, highlighted with white chalk, on blue paper; outlines heavily stylus-incised on recto, and partly so on verso
Cleared · Public Domain
live
The Adoration of the Magi (Cartoon for an Embroidery)
Diego Lopez de Escuriaz (d. 1623)
1587–89 · Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue-green paper; outlines finely pricked for transfer
Cleared · Public Domain
live
The Martyrdom of Saint Cecilia (Cartoon for a Fresco)
Domenichino (Domenico Zampieri) (d. 1641)
1612–14 · Charcoal highlighted with white chalk
Cleared · Public Domain
live
Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs
Anonymous, Italian, 17th century (d. 1700)
ca. 1608 · Pen and brown ink
Cleared · Public Domain
live
Cartoon for the embroidery of an orphrey bearing Medici arms combined with Arms of the House of Austria
Anonymous, Italian, 17th century (d. 1700)
ca. 1608 · Pen and brown ink
Cleared · Public Domain
live
Cartoon for the Back of a Tapestry Settee
French Painter
1799 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio (d. 1526)
ca. 1502–4 · Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cartoon for Sixteen-Inch "Tulip" Shade
Louis C. Tiffany (d. 1933)
ca. 1906 · Ink on glazed textile
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cartoon for "Snowball" Lampshade
Louis C. Tiffany (d. 1933)
1902–10 · Watercolor, carbon transfer, and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.