Sheet of Studies and Sketches
Edgar Degas (d. 1917)
1858 · Drawing, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
430 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 40 matching records exist across the two collections.
Results for "A Sheet of Heads"11 records
Institutions answered newest-first by record, interleaved
Twelve-sided Ewer with Sphinxes and Human-Headed Inscriptions
Unrecorded maker
1300–1350 · Metalwork, hammered sheet of brass inlaid with silver
Cleared · CC0
liveCleveland Museum of ArtSimilar
Studies of a Seated Female, Child's Head, and Three Studies of a Baby
Raphael (d. 1520)
c. 1507–8 · Drawing, metalpoint
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, graphite and gray and black wash with point of brush
Cleared · CC0
liveCleveland Museum of ArtSimilar
Nose Ornament with Decapitators and Human Heads
Unrecorded maker
c. 100–300 CE · Metalwork, gold alloy and silver
Cleared · CC0
liveCleveland Museum of ArtSimilar
The Feast of Herod (recto)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk, touched with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (d. 1640)
c. 1637–38 · Drawing, pen and brown ink, with black and red chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
Sketches of Heads (verso, left); Two Women (verso, right)
John Brown (d. 1787)
c. 1770–75 · Drawing, left: graphite; right: gray and black wash with point of brush and graphite
Cleared · CC0
liveCleveland Museum of ArtSimilar
Study for "The Romancer" (Le Conteur)
Jean-Antoine Watteau (d. 1721)
c. 1716 · Drawing, red chalk; red and black chalk (upper left figure)
Cleared · CC0
liveCleveland Museum of ArtSimilar
Sheet of Satirical Studies (Amorini Riding Phalli)
Salvator Rosa (d. 1673)
c. 1650s · Drawing, Pen and brown ink, wash, and red chalk
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.