
The Home of Evangeline – "In the Acadian Land"
Frances Flora Bond Palmer (d. 1876)
1864 · Hand-colored lithograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
452 ms. The Metropolitan Museum of Art, Collection API (Open Access)
277 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Home of Evangeline – "In the Acadian Land"
Frances Flora Bond Palmer (d. 1876)
1864 · Hand-colored lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Side Wheeler "Bustin" a Trotter: What Do You Say?
Currier & Ives (d. 1907)
1879 · Hand-colored lithograph, with touches of gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Crack Trotter --"Coming Around"
Thomas B. Worth (d. 1917)
1880 · Hand-colored lithograph, with some gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bees-and-honeycomb textile
Candace Wheeler (d. 1923)
ca. 1883 · Silk and wool, woven
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Why Don't Yer Come Along?
Thomas B. Worth (d. 1917)
1883 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Power of Memory
Steve Wheeler (d. 1992)
ca. 1943 · Watercolor, gouache, and pen and black ink on paper (recto); pen and black ink with graphite on paper (verso)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.