
Composite Bow with Forty Arrows
Unrecorded maker
A.H. 1132/ 1719–20 CE · Horn, wood, pigment, sinew, paper?, lacquer, gold, silver, ivory, iron, feather, silk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
274 ms. The Metropolitan Museum of Art, Collection API (Open Access)
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,445 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Composite Bow with Forty Arrows
Unrecorded maker
A.H. 1132/ 1719–20 CE · Horn, wood, pigment, sinew, paper?, lacquer, gold, silver, ivory, iron, feather, silk
Cleared · Public Domain
live
Black-Figure Neck-Amphora (Storage Vessel): Departing Warriors (A); Dionysos and Satyrs (B)
Unrecorded maker
c. 520–510 BCE · Ceramic, ceramic
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Soldier with Bow and Arrows
Unrecorded maker
ca. 2020–2000 B.C. · Limestone, paint
In copyright
live
Crossbow Bolt
Unrecorded maker
1500s–1600s · Arms and Armor, wood, leather, steel
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bow with Forty Arrows
Unrecorded maker
1703–1704 · Horn, wood, iron, ivory, pigment, gold, feathers, silk
In copyright
live
Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquin
Unrecorded maker
c. 1760 · Painting, Gum tempera and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bow with Arrows and Stand
Unrecorded maker
late 18th–early 19th century · Pine wood, horn, bamboo, iron, horn, catgut, leather, lacquer
In copyright
live
Portrait of Asaf Khan (1569–1641), from the Late Shah Jahan Album
Unrecorded maker
c. 1653 · Painting, Gum tempera and gold on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bow with Frame and Arrows
Unrecorded maker
late 18th–early 19th century · Steel, leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bow with Quiver and Arrows
Unrecorded maker
late 18th–early 19th century
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bow and Arrows with Quiver and Bowcase
Unrecorded maker
late 19th century · Iron, wood, leather, feathers
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bow with Quiver and Arrows
Unrecorded maker
19th century · Bamboo, leather
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.