
Rest on the Flight into Egypt
Jan Muller (d. 1628)
1593 · Engraving; second state of four
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
247 ms. The Metropolitan Museum of Art, Collection API (Open Access)
530 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Rest on the Flight into Egypt
Jan Muller (d. 1628)
1593 · Engraving; second state of four
Cleared · Public Domain
live
A State Yacht and Other Craft in Calm Water
Jan van de Cappelle (d. 1679)
ca. 1660 · Oil on wood
Cleared · Public Domain
live
Early Morning, Battersea (Battersea Dawn) (Cadogan Pier)
James McNeill Whistler (d. 1903)
1861 · Etching and drypoint; second state of two (Glasgow); printed in black ink on ivory laid paper
Cleared · Public Domain
live
Early Morning, Battersea (Battersea Dawn) (Cadogan Pier)
James McNeill Whistler (d. 1903)
probably 1863 · Etching and drypoint, printed in black ink on cream laid Japan; second state of two (Glasgow)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cumberland Valley, from Bridgeport Heights opposite Harrisburg, Pennsylvania
Frances Flora Bond Palmer (d. 1876)
1865 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Great International Yacht Race, August 8,1870: From the Club House, Staten Island, N. Y., around the S.W. Spit to and around the Light Ship off Sandy Hook and Back. 40 Miles
Currier & Ives (d. 1907)
1870 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Samuel John Carter (d. 1892)
1871–75 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vase
Adelaide Alsop Robineau (d. 1929)
ca. 1907–8 · Porcelain
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
First half of 20th century · Wood, beads, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
early–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Olamina (How do we learn to love each other while we are embattled)
Firelei Báez (d. 9999)
2022 · Oil and acrylic on inkjet on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.