Barren Coast and Slight Storm
John Glover (d. 1849)
1794 · Graphite, brush and black and gray wash
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
276 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
275 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 160 matching records exist across the two collections.
Results for "A Storm off the Normandy Coast"12 records
Institutions answered newest-first by record, interleaved
Boats off the coast, storm approaching
John Sell Cotman (d. 1842)
1830 · Watercolor over traces of graphite, with gouache (bodycolor), scratching out, stopping out, and gum arabic
Cleared · Public Domain
liveThe MetSimilar
Sunset after a Storm on the Coast of Sicily
Andreas Achenbach (d. 1910)
1853 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
A Storm off the Normandy Coast
Eugène Isabey (d. 1886)
probably 1850s · Oil on paper, laid down on canvas
Cleared · Public Domain
liveThe MetSimilar
Shipwreck off Nantucket (Wreck off Nantucket after a Storm)
William Bradford (d. 1892)
ca. 1860–61 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Passing off of the Storm
John Frederick Kensett (d. 1872)
1872 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Storm off the Coast of Barcelona, from The Life of Margaret of Austria, plate 18
Jacques Callot (d. 1635)
1612 · Etching; first state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Storm off the Coast of Barcelona, plate 18 from "The Life of Margaret of Austria"
Jacques Callot (d. 1635)
1612 · Etching; first state of three (Lieure)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunset on the Normandy Coast
Eugène Isabey (d. 1886)
possibly 1830s · Oil on paper, laid down on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dust Storm, Fifth Avenue
John Sloan (d. 1951)
1906 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Storm, Taos Mountain, New Mexico
John Marin (d. 1953)
1930 · Watercolor over charcoal on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[American Troops Landing on D-Day, Omaha Beach, Normandy Coast, France]
Robert Capa (d. 1954)
1944 · Gelatin silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.