
Fragment of a Two-Colored Luster-Painted Bowl
Unrecorded maker
9th century · Earthenware; luster-painted on opaque white glaze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
152 ms. The Metropolitan Museum of Art, Collection API (Open Access)
343 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 704 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment of a Two-Colored Luster-Painted Bowl
Unrecorded maker
9th century · Earthenware; luster-painted on opaque white glaze
Cleared · Public Domain
live
Fragment of a Bowl
Unrecorded maker
9th–10th century · Glass, green; cut
Cleared · Public Domain
live
Fragment of a Luster-Painted Bowl
Unrecorded maker
9th–10th century · Earthenware; luster-painted on opaque white glaze
Cleared · Public Domain
live
Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers)
Unrecorded maker
12th century · Lime plaster; painted
Cleared · Public Domain
livePainted Plaster
Unrecorded maker
12th century · Plaster; painted
Cleared · Public Domain
live
Glass cooler (seau à verre)
Saint-Cloud factory (d. 1766)
ca. 1725–30 · Soft-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Case Bottle with an Amorous Couple and a Lady with a Deer
Unrecorded maker
first half 18th century · Glass, colorless; mold blown, enameled, and gilded
Cleared · Public Domain
live
Brisé fan with three painted reserves
Unrecorded maker
late 18th century · Pierced, painted and gilded ivory; jasperware; enameled metal; glass
Cleared · Public Domain
live
Dressing glass
George A. Schastey & Co. (d. 1897)
1881–82 · Satinwood, purpleheart, mother-of-pearl, brass, and mirror glass
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Treatise on Painted Glass, shewing its applicability to every style of architecture
James Ballantine (d. 1877)
1845 · Illustrations: color lithographs with hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Book and Glass
Juan Gris (d. 1927)
Paris, spring 1914 · Cut printed and painted papers, blue paper and tracing paper, with black and blue-green crayon, charcoal and and black oil paint on canvas, mounted to a honeycomb panel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Objects on a Table
Patrick Henry Bruce (d. 1936)
ca. 1920–21 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.