
Equestrian portrait of William, Duke of Cumberland (1721–1765)
David Morier (d. 1770)
ca. 1751–60 · Glass, reverse painted and mirrored
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
302 ms. The Metropolitan Museum of Art, Collection API (Open Access)
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,583 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Equestrian portrait of William, Duke of Cumberland (1721–1765)
David Morier (d. 1770)
ca. 1751–60 · Glass, reverse painted and mirrored
Cleared · Public Domain
live
Portrait Miniature of Prince William Augustus, Duke of Cumberland (1721-1765)
Simon François Ravenet (d. 1774)
c. 1755 · Enamel, enamel
Cleared · CC0
live
At Nunnery in Cumberland
Joseph Farington (d. 1821)
August 20, 1786 · Pen and brown ink, brush and gray wash, over graphite
Cleared · Public Domain
live
Portrait of Samuel Butler
Bernard Lens (d. 1740)
c. 1715–20 · Portrait Miniature, watercolor on ivory in a period metal frame
Cleared · CC0
live
Washington Reviewing the Western Army at Fort Cumberland, Maryland
Frederick Kemmelmeyer (d. 1821)
after 1795 · Oil on canvas
Cleared · Public Domain
live
A Portrait (Duke of Cumberland)
Thomas Rowlandson (d. 1827)
January 10, 1812 · Hand-colored etching
Cleared · Public Domain
live
A View in Devonshire
Thomas Rowlandson (d. 1827)
1822 · Hand-colored etching and aquatint
Cleared · Public Domain
live
Sergeant John Lincoln Clem, The Drummer Boy of Chickamauga
Morse & Peaslee, Gallery of the Cumberland
ca. 1864 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Black Lead Mine in Cumberland
Marie Catherine Prestel (d. 1794)
1788 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View in Cumberland
Isaac Robert Cruikshank (d. 1856)
April 1823 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in a Park
Alexandre Hyacinthe Dunouy (d. 1841)
1841 · Oil on paper, laid down on ledger paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cumberland Valley, from Bridgeport Heights opposite Harrisburg, Pennsylvania
Frances Flora Bond Palmer (d. 1876)
1865 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.