Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    370 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    360 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 84 matching records exist across the two collections.

Results for "A View of Cavi in the Sabine Hills"12 records

Institutions answered newest-first by record, interleaved

View of La Crescenza by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

View of La Crescenza

Claude Lorrain (Claude Gellée) (d. 1682)

1648–50 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
View of Lake Como by Francis Towne, The Metropolitan Museum of Art

View of Lake Como

Francis Towne (d. 1816)

August 27, 1781 · Pen and brown ink and watercolor

Cleared · Public Domain

live
The MetSimilar
Licenza, near Rome: Horace's Villa by William Havell, The Metropolitan Museum of Art

Licenza, near Rome: Horace's Villa

William Havell (d. 1857)

ca. 1828–29 · Watercolor and gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar
View of Sintra with the Castanheiros hills in the background by Clementine de Brelaz, The Metropolitan Museum of Art

View of Sintra with the Castanheiros hills in the background

Clementine de Brelaz (d. 1892)

1840 · Lithograph on chinecollé on a larger support sheet

Cleared · Public Domain

live
The MetSimilar
A View of Cavi in the Sabine Hills by Louis Gurlitt, The Metropolitan Museum of Art

A View of Cavi in the Sabine Hills

Louis Gurlitt (d. 1897)

1848 · Graphite, heightened with white gouache, on light brown paper

Cleared · Public Domain

live
The MetSimilar
View Across a Field to Farmhouse Amid Trees Backed by Hills (from Sketchbook) by Thomas Hewes Hinckley, The Metropolitan Museum of Art

View Across a Field to Farmhouse Amid Trees Backed by Hills (from Sketchbook)

Thomas Hewes Hinckley (d. 1896)

ca. 1860–ca. 1864 · Graphite on beige paper

Cleared · Public Domain

live
The MetSimilar
View of a colliery at the edge of a town by George Price Boyce, The Metropolitan Museum of Art

View of a colliery at the edge of a town

George Price Boyce (d. 1897)

1865–75 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
Hills around the Bay of Moulin Huet, Guernsey by Auguste Renoir, The Metropolitan Museum of Art

Hills around the Bay of Moulin Huet, Guernsey

Auguste Renoir (d. 1919)

1883 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Monastery of San Benedetto above the Aniene River at Subiaco

Antoine-Félix Boisselier (d. 1857)

1811 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Villa Torlonia, Frascati, at Dusk

Paul Flandrin (d. 1902)

ca. 1834–38 · Oil on paper, laid down on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aussicht von West Point (View from West Point, New York)

Albert Henry Payne (d. 1902)

ca. 1850 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Among the Hills – View on the Ausable River

Currier & Ives (d. 1907)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.