
View of La Crescenza
Claude Lorrain (Claude Gellée) (d. 1682)
1648–50 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
370 ms. The Metropolitan Museum of Art, Collection API (Open Access)
360 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 84 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of La Crescenza
Claude Lorrain (Claude Gellée) (d. 1682)
1648–50 · Oil on canvas
Cleared · Public Domain
live
View of Lake Como
Francis Towne (d. 1816)
August 27, 1781 · Pen and brown ink and watercolor
Cleared · Public Domain
live
Licenza, near Rome: Horace's Villa
William Havell (d. 1857)
ca. 1828–29 · Watercolor and gouache (bodycolor) over graphite
Cleared · Public Domain
live
View of Sintra with the Castanheiros hills in the background
Clementine de Brelaz (d. 1892)
1840 · Lithograph on chinecollé on a larger support sheet
Cleared · Public Domain
live
A View of Cavi in the Sabine Hills
Louis Gurlitt (d. 1897)
1848 · Graphite, heightened with white gouache, on light brown paper
Cleared · Public Domain
live
View Across a Field to Farmhouse Amid Trees Backed by Hills (from Sketchbook)
Thomas Hewes Hinckley (d. 1896)
ca. 1860–ca. 1864 · Graphite on beige paper
Cleared · Public Domain
live
View of a colliery at the edge of a town
George Price Boyce (d. 1897)
1865–75 · Watercolor over graphite
Cleared · Public Domain
live
Hills around the Bay of Moulin Huet, Guernsey
Auguste Renoir (d. 1919)
1883 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Monastery of San Benedetto above the Aniene River at Subiaco
Antoine-Félix Boisselier (d. 1857)
1811 · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Villa Torlonia, Frascati, at Dusk
Paul Flandrin (d. 1902)
ca. 1834–38 · Oil on paper, laid down on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Aussicht von West Point (View from West Point, New York)
Albert Henry Payne (d. 1902)
ca. 1850 · Steel engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Among the Hills – View on the Ausable River
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.