
View of the Gardens of a Palace
Lodewijk Toeput (called Pozzoserrato) (d. 1603)
mid-16th–early 17th century · Pen and brown ink, brush and brown wash, traces of black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
373 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,275 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

View of the Gardens of a Palace
Lodewijk Toeput (called Pozzoserrato) (d. 1603)
mid-16th–early 17th century · Pen and brown ink, brush and brown wash, traces of black chalk
Cleared · Public Domain
live
A View of The Hague from the Northwest
Jan van Goyen (d. 1656)
1647 · Oil on wood
Cleared · Public Domain
live
Amusements in Kyoto in the Four Seasons
Maruyama Ōkyo 円山応挙 (d. 1795)
late 1770s–early 1780s · Handscroll; ink on paper
Cleared · Public Domain
live
A View of the Wittevrouwenpoort, Utrecht
Dirk Verrijk (d. 1786)
1749–86 · Pen and brown-black ink and gray wash, heightened with white
Cleared · Public Domain
live
A Back View of the Cape
James Gillray (d. 1815)
March 23, 1792 · Hand-colored etching
Cleared · Public Domain
live
A View on the Banks of the Thames
Thomas Rowlandson (d. 1827)
June 18, 1807 · Hand-colored etching
Cleared · Public Domain
live
A View of the Amusements of the Foreigners in Yokohama, Bushu
Utagawa Yoshitora (d. 1880)
1st month, 1861 · Triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
live
A View of the Amusements of the Foreigners in Yokohama, Bushu
Utagawa Yoshitora (d. 1880)
1st month, 1861 · Triptych of woodblock prints; ink and color on paper
Cleared · Public Domain
live
A Chiel Among Them (recto); Amusements for the Sea-side (verso)
George Du Maurier (d. 1896)
September 20, 1873 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of New York, from the Atlantic Neptune
Joseph Frederick Wallet Des Barres (d. 1824)
1777 · Aquatint; proof before letters
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Telegraph, Cambridge
Robert Dighton the Elder (d. 1814)
May 1809 · Hand-colored etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.