Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
619 ms. The Metropolitan Museum of Art, Collection API (Open Access)
342 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 585 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
View of the Groote Kerk in Dordrecht from the River Maas
Aelbert Cuyp (d. 1691)
ca. 1647–48 · Black chalk and moistened black chalk, gray wash (mainly in the clouds, water and sails), greenish yellow and grayish green wash (in the trees and under the houses at the left), and touches of brown chalk (in and under the houses at the left and on the large sailboat).
Cleared · Public Domain
live
View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (Tapestry or Stage Design?)
Daniel Marot the Elder (d. 1752)
ca. 1700–1720 · Pen and black ink and watercolor
Cleared · Public Domain
live
View of a Park
Jean Honoré Fragonard (d. 1806)
ca. 1757–59 · Black chalk, brush and gray wash, touches of black and brown wash; framing lines in pen and black ink
Cleared · Public Domain
live
View of the Borsa, Rome
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and black ink, over graphite or lead on cream paper (recto). Squared in graphite or lead. Framing lines in pen and black ink. Squared in graphite or lead (verso)
Cleared · Public Domain
live
View of a Bridge in the Dutch Countryside with Figures
Nicolaas Wicart (d. 1815)
mid-18th–early 19th century · Brush and gray wash, over a sketch in black chalk
Cleared · Public Domain
live
View of Venice
Italian
1830–45 · Gouache on black paper
Cleared · Public Domain
live
View on the coast at Deal
Charles Bentley (d. 1854)
ca. 1846 · Watercolor with touches of gouache (bodycolor) over graphite
Cleared · Public Domain
live![[Boston from a Hot-Air Balloon] by James Wallace Black, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP327313.jpg)
[Boston from a Hot-Air Balloon]
James Wallace Black (d. 1896)
1860s · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A View of the Black Lead Mine in Cumberland
Marie Catherine Prestel (d. 1794)
1788 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
American River Scenery – View on the Androscoggin, Maine
Currier & Ives (d. 1907)
ca. 1870 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a Town
Edward Alexander Wadsworth (d. 1949)
1916 · Woodcut on gray paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Love me and the world is mine
Unrecorded maker
between 1850 and 1950
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.