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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    446 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 124,198 matching records exist across the two collections.

Results for "A View of the Pleasures of the Taiko and"12 records

Institutions answered newest-first by record, interleaved

The Pleasures of Imagination by Thomas Rowlandson, The Metropolitan Museum of Art

The Pleasures of Imagination

Thomas Rowlandson (d. 1827)

[June 30, 1781] · Mezzotint

Cleared · Public Domain

live
The MetSimilar
The Pleasures of Margate by Thomas Rowlandson, The Metropolitan Museum of Art

The Pleasures of Margate

Thomas Rowlandson (d. 1827)

July 25, 1800 · Etching and aquatint

Cleared · Public Domain

live
The MetSimilar
The Pleasures of Margate by Thomas Rowlandson, The Metropolitan Museum of Art

The Pleasures of Margate

Thomas Rowlandson (d. 1827)

July 25, 1800 · Hand-colored etching and aquatint

Cleared · Public Domain

live
The MetSimilar
A View of the Pleasures of the Taiko and His Five Wives at Rakutō by Kitagawa Utamaro, The Metropolitan Museum of Art

A View of the Pleasures of the Taiko and His Five Wives at Rakutō

Kitagawa Utamaro (d. 1806)

1804 · Triptych of woodblock prints; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
The Pleasures of Human Life: Title Page by Thomas Rowlandson, The Metropolitan Museum of Art

The Pleasures of Human Life: Title Page

Thomas Rowlandson (d. 1827)

1807 · Letterpress

Cleared · Public Domain

live
The MetSimilar
Pleasures of the Hunt by an unrecorded maker, The Metropolitan Museum of Art

Pleasures of the Hunt

Unrecorded maker

ca. 1800 · Ink, opaque watercolor, gold and silver on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: The Pleasures of the World

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Moral Emblems: The Sinking Pleasures

Etienne Delaune (d. 1583)

1580 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Pleasures of Imagination: A Poem in Three Books

Mark Akenside (d. 1770)

1807 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of the Telegraph, Cambridge

Robert Dighton the Elder (d. 1814)

May 1809 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Pleasures of the Country – Sweet Home

Currier & Ives (d. 1907)

1869 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shime-Taiko (締め太鼓)

Unrecorded maker

20th century · Wood, hide

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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