
Portrait of a Man
Jan Gossart (called Mabuse) (d. 1532)
ca. 1520–25 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
577 ms. The Metropolitan Museum of Art, Collection API (Open Access)
346 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 55 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of a Man
Jan Gossart (called Mabuse) (d. 1532)
ca. 1520–25 · Oil on wood
Cleared · Public Domain
live
Cottage near the Entrance to a Wood
Rembrandt (Rembrandt van Rijn) (d. 1669)
1644 · Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Cleared · Public Domain
live
Krater vase with a signed view of Potsdam
Royal Porcelain Manufactory (Königliche Porzellan-Manufaktur), Berlin (d. 9999)
ca. 1825 · Hard-paste porcelain
Cleared · Public Domain
live![[The Taj Mahal from the Banks of the Yamuna River] by John Murray, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP143011.jpg)
[The Taj Mahal from the Banks of the Yamuna River]
John Murray (d. 1898)
1858–62 · Albumen silver print from paper negative
Cleared · Public Domain
live
Design for Two-Wheel Cabriolet (rear view, unnumbered)
Brewster & Co.
1875 · Pen and black ink, watercolor and gouache with gum arabic
Cleared · Public Domain
live
A View of the Taj Mahal, Signed by Koodrutoollah
Koodrutoollah
dated 1880 · Pen and ink, watercolor on paper
Cleared · Public Domain
live
View of the Domaine Saint-Joseph
Paul Cézanne (d. 1906)
late 1880s · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Tivoli from Santa Maria del Giglio
Léon Fleury (d. 1858)
1827 or later · Oil on paper, laid down on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Taj Mahal
John Murray (d. 1898)
ca. 1855 · Waxed paper negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two-Minute Silence, Armistice Day, London
Unknown
November 11, 1919 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wives of Mughal Emperors
Unrecorded maker
1910s · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.