
Christ's Descent into Hell
Hieronymus Bosch (d. 1516)
1560 · Oil on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
242 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,408 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Christ's Descent into Hell
Hieronymus Bosch (d. 1516)
1560 · Oil on wood
Cleared · Public Domain
live
Descent into Hell
Wenceslaus Hollar (d. 1677)
1644–52 · Etching, only state
Cleared · Public Domain
live
The Vision of Hell (Inferno)
Dante Alighieri (d. 1321)
1866 · Wood engraving
Cleared · Public Domain
live
A Vision of Victory
Alexandre-Louis-Marie Charpentier (d. 1909)
late 19th century · Bronze, cast
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Vision of Hell, and a Discovery of some of the Consultations and Devices there, in the year 1767
Jacob Green [Theodorus van Shemain] (d. 1790)
1773 · Illustrations: metalcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Warrior's Vision
Henderson Ledger Artist B
ca. 1880 · Pencil, colored pencil, and ink on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Marriage of Heaven and Hell, and A Song of Liberty
William Blake (d. 1827)
1885, facsimile of 1790 · Illustrations: facsimiles of color relief etchings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Morning Vision
Henry Oliver Walker (d. 1929)
1895 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hell Hole
John Sloan (d. 1951)
1917 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hell
Max Beckmann (d. 1950)
1918–19 · Portfolio of eleven transfer lithographs
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.