
Relief from the West Wall of a Chapel of Ramesses I
Unrecorded maker
ca. 1299–1290 BCE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
267 ms. The Metropolitan Museum of Art, Collection API (Open Access)
331 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 26,426 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Relief from the West Wall of a Chapel of Ramesses I
Unrecorded maker
ca. 1299–1290 BCE · Limestone
Cleared · Public Domain
live
Hector taking leave of Andromache: the Fright of Astyanax
Benjamin West (d. 1820)
1766 · Pen and brown ink, brush and brown wash and blue watercolor, touches of gouache (bodycolor), over traces of black chalk
Cleared · Public Domain
live
Study for "Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald"
Benjamin West (d. 1820)
1784 · Pen and brown ink, brown ink washes, black chalk, and graphite on off-white (now oxidized) laid paper.
Cleared · Public Domain
live
The Damsel and Orlando
Benjamin West (d. 1820)
ca. 1793 · Oil on canvas
Cleared · Public Domain
live
Moses Shown the Promised Land
Benjamin West (d. 1820)
1801 · Oil on wood
Cleared · Public Domain
live
Hagar and Ishmael
Benjamin West (d. 1820)
1776, reworked 1803 · Oil on canvas
Cleared · Public Domain
live
Omnia Vincit Amor, or The Power of Love in the Three Elements
Benjamin West (d. 1820)
1809 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Principales Forteresses, Ports &c. de L'Amerique Septentrionale [Ports and Harbors of North and South America and the West Indies]
I. K. S. (d. 1800)
18th century · Hand-colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Voyage to North America and the West Indies in 1817
Edouard de Montulé (d. 1833)
1821 · Illustrations: etching, engraving, and wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Waterbury, Connecticut fom "West Side Hill"
Lucien I. Bisbee (d. 1900)
1837 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
James West, Glass Painter & Stainer (trade card)
James West (d. 1845)
ca. 1843 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Letter "I"
Helen West Heller (d. 1955)
1923–55 · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.