
Flayed man seen from behind, holding a rope
Giulio Bonasone (d. 1576)
ca. 1531–76 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
513 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,333 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Flayed man seen from behind, holding a rope
Giulio Bonasone (d. 1576)
ca. 1531–76 · Engraving
Cleared · Public Domain
live
Caricature of a Fat Man, Seen From Behind
Giovanni Battista Tiepolo (d. 1770)
1760 (?) · Pen and black ink, gray wash
Cleared · Public Domain
live
Caricature of a Man Holding a Tricorne, Seen from Behind
Giovanni Battista Tiepolo (d. 1770)
1760 (?) · Pen and black ink, gray wash
Cleared · Public Domain
live
Caricature of a Man Seen from Behind
Giovanni Battista Tiepolo (d. 1770)
1760 (?) · Pen and black ink, gray wash
Cleared · Public Domain
live
Dancing Man, Holding a Violin, Seen from Behind
Philippe Jacques de Loutherbourg (d. 1812)
1755–71 · Etching
Cleared · Public Domain
live
Man seated with a musical instrument, seen from behind
Andrei Franzowitsch Belloli (d. 1881)
1842–81 · Engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Young Man Seen from Behind, from Diversarum Iconum...Series Secunda
Anton Maria Zanetti the Elder (d. 1767)
1740–50 · Chiaroscuro woodcut from two blocks in blue ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman and a Young Girl, the latter seen from behind
Francesco Bartolozzi (d. 1815)
1792–98 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman with a Young Girl Seen From Behind
Francesco Bartolozzi (d. 1815)
1764 · Etching, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Young Man, Seen from the Back
John Singer Sargent (d. 1925)
1895 · Transfer lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Young Man, Seen from the Back
John Singer Sargent (d. 1925)
1895 · Lithographic crayon on transfer paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study of a Young Man, Seen from the Back
John Singer Sargent (d. 1925)
1895 · Transfer lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.