Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    274 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    269 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4 matching records exist across the two collections.

Results for "A bullfighter lancing a bull another pro"4 records

Institutions answered newest-first by record, interleaved

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint, burin

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A bullfighter lancing a bull another provoking the bull

Manuel Manilla (d. 1895)

ca. 1880–1895 · Metal-plate engraving (later printing?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lance III

Pablo Picasso (d. 1973)

1959 · Linoleum cut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.